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The Museo Nacional del Prado pays tribute to its own history with a permanent installation

The Museo Nacional del Prado pays tribute to its own history with a permanent installation
Image of the exhibition galleries Photo © Museo Nacional del Prado.
MADRID
.-The Museo del Prado opened its doors for the first time on 19 November 1819 with the name of Real Museo de Pintura y Escultura. That early museum displayed only 311 works, all of them by Spanish painters. Now, 200 years on, the Museo del Prado is considered Spains leading cultural institution, shared cultural patrimony of which all Spaniards are proud and a legacy of incalculable value in the history of culture.
Taking the evolution of the Museums architecture as its guiding thread, this new installation offers a reflection on the historical and political events which transformed the initial Real Museo into the public institution of international renown which it is today. In parallel, the display shows the changes and modifications that have come about over time in terms of the Museums publi ....

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Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District

Amanda Phingbodhipakkiya unveils powerful & timely installation in Meatpacking District
The installation from the NYC Commission on Human Rights and Public Artist in Residence Amanda Phingbodhipakkiya integrates visual art and technology to create a large-scale sculptural representation of the stories of survivors.
NEW YORK, NY
.- The New York City Commission on Human Rights announces the latest work from Public Artist in Residence (PAIR) Amanda Phingbodhipakkiya entitled May We Know Our Own Strength. Located in Meatpacking District in partnership with the local Business Improvement District (BID), the interactive installation transforms the accounts of survivors of sexual and gender-based violence into large, room-scale sculptures. The installation employs sixteen internet-connected printers, placed in a high-traffic storefront window, that will relay anonymous survivors stories provided through an online submission form. ....

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Pace Gallery opens Marina Perez Simão's first solo exhibition in New York City

Pace Gallery opens Marina Perez Simão s first solo exhibition in New York City
Marina Perez Simão, Untitled, 2021. Oil on canvas, 78-5/8 × 97 (199.7 cm × 246.4 cm). © Marina Perez Simão. Courtesy of the artist, Mendes Wood DM, and Pace Gallery.
NEW YORK, NY
.-Pace Gallery is debuting São Paulo-based artist Marina Perez Simãos first solo exhibition in New York City. Rooted in the natural landscape of her native Brazil, Simãos luminous oil paintings pulse with a magnetic, musical, and hypnotic presence that make the viewers eye dance. Influenced by painters such as Tarsila do Amaral, Agnes Pelton, and Luchita Hurtado, Simãos work is situated within a larger constellation of artists who have similarly used the landscape to explore the metaphysical elements of nature. With the artists new series of paintings, which have been unveiled at Paces New York space this spring, Simão presents a symbol of hopea beacon for a future not yet mapped out but ....

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How the Chicxulub Impactor gave rise to modern rainforests

How the Chicxulub Impactor gave rise to modern rainforests
New and improved plant sex: Plants produced attractive flowers containing sugary rewards for insects who carry pollen (basically the male sperm of the plants) to other flowers, helping plants reproduce. This strategy was so successful that flowering plants took over tropical forests, and the world.
WASHINGTON, DC
.- Tropical rainforests today are biodiversity hotspots and play an important role in the worlds climate systems. A new study published in Science sheds light on the origins of modern rainforests and may help scientists understand how rainforests will respond to a rapidly changing climate in the future. ....

United States , Norfolk Island , National Museum Of Natural History , District Of Columbia , Conrad Labandeira , Fabiany Herrera , Carlos Jaramillo , Negaunee Institute For Conservation Science , Smithsonian Tropical Research Institute , Universidad Del Rosario , South America , New World , Negaunee Institute , Conservation Science , Chicago Botanic Garden , Scott Wing , National Museum , Natural History , Art Gallery , Fantasy Art , Landscape Art , Abstract Art , Fine Art , Wall Art , Oil Painting , Landscape Painting ,

Calder-Picasso: Two giants of modernity meet at the de Young museum

Calder-Picasso: Two giants of modernity meet at the de Young museum
Triple Gong, ca. 1948. Brass, sheet metal, wire, and paint, 39 x 75 x 2 3/4 in.
SAN FRANCISCO, CA
.-The Fine Arts Museums of San Francisco are presenting Calder-Picasso at the de Young museum. Conceived by the artists grandsons Alexander S. C. Rower and Bernard Ruiz-Picasso, it is the first major museum exhibition to explore the formal resonances between the works of Alexander Calder and Pablo Picasso, two of the most innovative and influential artists of the 20th century. In more than 100 paintings, sculptures, drawings, and photographsincluding many iconic worksthe exhibition presents a compelling presentation of the artists exploration of the void, or the absence of space, which they defined from the figure through to abstraction. ....

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