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When art meets data | Review of Painting by Numbers

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Art history has only partly emerged from the shadow of Giorgio Vasari, whose
Lives of the Most Excellent Painters, Sculptors, and Architects is its foundational text. Cognitive aesthetics, or the study of art in light of the psychology of perception, is a half-century old, as are various computer-based techniques of art analysis. But the broader discipline remains dominated by monographic studies of figures or movements distinguished by talent or genius, with great emphasis on biography and the effects of inspiration and experience on individual works. The composition of the canon, and its biases and blind spots, has been a major theme of art criticism, but often, the tone is more polemical than measured and reflective. In ....

United States , France General , United Kingdom , Kirsten Swinth , Diane Seave Greenwald , Robert Herbert , Lilly Martin Spencer , Gustave Courbet , Griselda Pollock , Diana Seave Greenwald , Giorgio Vasari , Museum Of Art , Royal Academy Summer Exhibitions , Princeton University Press , Princeton University , National Academy Of Design , Most Excellent Painters , Data Driven Histories , Nineteenth Century Art , Diane Seave , Are There No Great Women , National Academy , Metropolitan Museum , Painting Professionals , Civil War , Not Shown ,

The surprising partnership of art and data

In the mid-1960s, the renowned art historian Jules Prown was jeered. He was presenting new research at the annual meeting of the College Art Association, the principal professional art historical association. Prown had used a mainframe in the Yale University computer lab to examine links between the socio-economic backgrounds of American painter John Singleton Copley’s sitters and their preferences in portraiture. His first slide which showed an IBM punch card, then representative of cutting-edge computing technology prompted some colleagues to boo. [1] Recounting this experience, Prown recalled:
At first consideration, the art historian and the computer would seem to be eccentric companions. Art historians are concerned with qualitative discriminations that reveal themselves slowly…to the investigations of a trained mind and sensitive eye. The computer…deals with quantitative computations at an unvarying pace with incredible speed. Its monotonous, inflexible, unthinkin ....

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"Our Louisiana" now on view at Louisiana Art & Science Museum

Our Louisiana now on view at Louisiana Art & Science Museum
Visitors enjoying Our Louisiana on its opening day, January 16, 2020.
BATON ROUGE, LA
.- Our Louisiana, on view until January 14, 2024, explores Louisianas history and culture through objects from LASMs permanent collection. Featuring artwork in a variety of media by Louisiana-born and Louisiana-based artists, the exhibition is divided into the categories of Nineteenth Century Art; Modern Art; Contemporary Art; Baton Rouge Art; and Self-Taught Art, Folk Art, and Craft. Organized by the Louisiana Art & Science Museum and curated from its collection, Our Louisiana is on view on the first floor of the main gallery. ....

United States , Baton Rouge , Paul Ninas , Fritz Bultman , Serena Pandos , Edward Pramuk , John James Audubon , Michael Crespo , Olin Emery , Caroline Durieux , Margaret Stones , Hunt Slonem , Alexi Adams , Knute Heldner , Ida Kohlmeyer , Conrad Albrizio , Elizabeth Catlett , Board Collections Committee , Board Of Trustees , Louisiana Art Science Museum , Nineteenth Century Art , Modern Art , Contemporary Art , Baton Rouge Art , Self Taught Art , Folk Art ,