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Garbage | No Gods No Masters - Record Collector Magazine


Garbage | No Gods No Masters
/ 28 June 2021
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For Shirley Manson, the gloves are well and truly off. The political turmoil of recent years has infiltrated Garbage’s often-furious seventh album, with no target off-limits: the capitalist ideal (The Men Who Rule The World), racial inequality (Waiting for God) and sexism (Godheads) all feel Manson’s barely contained ire. Of course, such anger suits Garbage’s most recognisable mode, often on forceful display here: dense, layered noise, all buzzsaw guitars, harsh electronics and industrial clatter. Yet there’s sonic variety: revenge drama A Woman Destroyed is an ominous anti-ballad; the patriarchy-attacking Flipping The Bird has a vintage New Order sheen. It’s not all pessimism, either: the frenzied synth-pop of the excellent title track, inspired by a trip to Chile, imagines a better future for humanity. Shaun Curran ....

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'I have never quite got over being around Debbie Harry, in her presence I revert to my child self' – Edinburgh's Shirley Manson


Shirley Manson with Garbage in full performance mode
One singer sure to understand Shirley Manson’s ‘outlier’ approach to life is one of her great inspirations, Debbie Harry. Having named the Eighties’ icon as one of her all time heroes in a piece for Entertainment Weekly, the pair are set to be reunited later this year when Garbage and Blondie share the bill at Glasgow’s Hydro on November 20.
Shirley recalls, When Garbage and Blondie co-headlined the Rage and Rapture Tour two years ago, both bands cohabited together. we just love each other and get along so well. There are no egos, no competition, no unpleasantness and, of course, all of Garbage are influenced by Blondie and Debbie has been so kind and supportive to me throughout my adult career.” ....

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