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Harvard Can Keep Daguerreotypes Depicting Enslaved Africans, Despite the Objections of One of the Subject's Ancestors, a Court Has Ruled

The photos belonged to the photographer, not the subjects, the judge ruled.
March 5, 2021
Attorney Benjamin Crump, left, speaks during a press conference announcing the lawsuit against Harvard University. Photo by Kevin Hagen/Getty Images.
Harvard University does not have to hand over a set of 19th-century daguerreotypes, thought to be among the first photographs of enslaved people in America, to one of the subject’s ancestors, a Massachusetts judge has ruled.
In dismissing the case, the judge has ended one chapter of the lawsuit, which began in March 2019 when a retired probation officer in Connecticut named Tamara Lanier filed a lawsuit alleged that the Ivy League university illegally owned the photos and was responsible for a “decades-long campaign to sanitize the history of the images and exploit them for prestige and profit.” ....

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Archaeologists Are Using the Incredible Photographs From This Cold War-Era Spy Satellite to Unlock Secrets of World History

Archaeologists Are Using Incredible Photographs From This Cold War-Era Spy Satellite to Unlock Secrets of World History
Some of the earliest satellite photography has been declassified, and is proving a boon to all different kinds of research.
January 8, 2021
A Corona satellite launch at the Vandenberg Air Force Base in California. Photo courtesy of the National Reconnaissance Office.
Satellite imagery from the Corona project, a Cold War spy program that acquired military intelligence about the Soviet Union for the US, is proving useful in ways its creators could have never imagined including for archaeologists.
“Corona is like a time machine for us,” Jason Ur, a Harvard University archaeologist who works with Corona images, told the ....

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How the camera confronted slavery — and still does

How the camera confronted slavery â and still does
By Mark Feeney Globe Staff,Updated December 30, 2020, 2:02 p.m.
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Carrie Mae Weems, While Sitting Upon the Ruins of Your Remains, I Pondered the Course of History (2016-17), from To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes (Aperture/Peabody Museum Press, 2020).Courtesy the artist and Jack Shainman Gallery, New York
The course of history didnât change in 1839, with the invention of photography. What did change was our collective relationship to history. Camera-captured images altered the publicâs understanding of events â or, at the very least, made it harder to ignore them. The novelist Wright Morris, who was also a very good photographer, once asked a deeply provocative question: If there had been someone with a camera when Christ arrived at Golgotha, how would that have changed our understanding of events on that particular hill on th ....

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