Print The first time you see Jacob and Monica’s house in “Minari,” it’s from the vantage point of a moving car. Images of bucolic landscape hugging a country lane give way to an open field. In the middle of that isolated field sits the couple’s future house, which is neither a brightly painted country farmhouse nor charming log cabin. Instead, the camera settles on a wheezing, putty-colored mobile home. Its lack of skirt siding reveals the mechanism by which it was towed into place. “Look, wheels!” the kids helpfully exclaim as Monica, their mother, portrayed by Yeri Han, looks on in horror.