i had to -- i had to be there to make sure things were precise. >> larry: but architects more than any other profession are the most controlling of figures, are they not? it's their baby. >> it depends. no, no, no -- well, no, this was different. because, you know, maybe if an architect -- as a matter of fact, i had once asked quothme to once work with me on another house, something i wanted to build, like a southern plantation with spanish moss coming down and, you know, from the trees. but he said no, you have the vision. it's too strong in your head. there's nothing for me. i want it to be my creation, not yours. but that's what's so hard. you want a great builder. you want a expediters to carry out your vision. which i can do when i'm directing a film. then it's perfectly fine. because everyone respects the director. especially in england, by the way. when i was doing "yentl," because they had a queen and a woman prime minister. so it was no big deal i was a woman director. you see? >> larry: got it.