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Best Things To Do This Week In Los Angeles And Southern California: Aug. 21 - 24

Listen in on a conversation with Idina Menzel. Prep for Burning Man at Skybar’s Night Market. Watch Herbie Hancock and all-stars celebrate Wayne Shorter at the Hollywood Bowl.

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The ReidOut

chair to justice. we appreciate that. brian, it is your turn my friend. who won the week? >> i'm going to go with a little bit of a curveball here. i had a feeling dean would pick fani willis. ben shapiro issued this 45-minute call to arms against party about how hard the right can flex its muscles and destroy this monument to woke communist leftist culture. what happened next was that barbie became the highest grossing release ever from warner brothers. big thumbs up to ben shapiro and his boycott crusaders on the right, for showing all of us just how potent grievance culture can be. >> barbie is now the first billion dollar film helmed by a woman director. barbie always wins, y'all. stop fighting her. she's going to win every single time. with all of her black barbie friends. yes, that is actually correct. but i too am joining dean, in saying that the heroic officers of the court one at the week. not just the great fani willis, but jack smith, and judge tanya

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'Barbie' Is Now the Highest-Grossing Film by a Woman Director

'Barbie' Is Now the Highest-Grossing Film by a Woman Director
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Verified Live

is a one-woman — are finding it very passionate. mine is a one-woman show— are finding it very passionate. mine is a one—woman show and it's a comedy— is a one—woman show and it's a comedy about— is a one—woman show and it's a comedy about motherhood, - is a one—woman show and it's a - comedy about motherhood, bollywood and losing _ comedy about motherhood, bollywood and losing nry— comedy about motherhood, bollywood and losing my mind, _ comedy about motherhood, bollywood and losing my mind, which— comedy about motherhood, bollywood and losing my mind, which i— comedy about motherhood, bollywood and losing my mind, which i think- comedy about motherhood, bollywood and losing my mind, which i think a i and losing my mind, which i think a lot of— and losing my mind, which i think a lot of mums— and losing my mind, which i think a lot of mums can _ and losing my mind, which i think a lot of mums can relate _ and losing my mind, which i think a lot of mums can relate to. - and losing my mind, which i think a lot of mums can relate to. it's - and losing my mind, which i think a lot of mums can relate to. it's also| lot of mums can relate to. it's also about— lot of mums can relate to. it's also about nry— lot of mums can relate to. it's also about myiourney _ lot of mums can relate to. it's also about my journey to _ lot of mums can relate to. it's also about my journey to film—making l about my journey to film—making because — about myjourney to film—making because i— about myjourney to film—making because i think— about myjourney to film—making because i think as _ about myjourney to film—making because i think as a _ about myjourney to film—making because i think as a woman - about my journey to film—making - because i think as a woman director, you learn— because i think as a woman director, you learn that — because i think as a woman director, you learn that you _ because i think as a woman director, you learn that you cannot _ because i think as a woman director, you learn that you cannot be - you learn that you cannot be direct and comedy— you learn that you cannot be direct and comedy is _ you learn that you cannot be direct and comedy is a _ you learn that you cannot be direct and comedy is a halfway _ you learn that you cannot be direct and comedy is a halfway house - you learn that you cannot be direct and comedy is a halfway house for| you learn that you cannot be direct. and comedy is a halfway house for me to be the _ and comedy is a halfway house for me to be the person — and comedy is a halfway house for me to be the person i _ and comedy is a halfway house for me to be the person i was _ and comedy is a halfway house for me to be the person i was raised - and comedy is a halfway house for me to be the person i was raised to- and comedy is a halfway house for me to be the person i was raised to be - to be the person i was raised to be and speak— to be the person i was raised to be and speak it — to be the person i was raised to be and speak it as— to be the person i was raised to be and speak it as it _ to be the person i was raised to be and speak it as it is. _ to be the person i was raised to be and speak it as it is. for— to be the person i was raised to be and speak it as it is. for me, - to be the person i was raised to be and speak it as it is. for me, i- and speak it as it is. for me, i think— and speak it as it is. for me, i think the _ and speak it as it is. for me, i think the experience - and speak it as it is. for me, i think the experience has - and speak it as it is. for me, i think the experience has been and speak it as it is. for me, i- think the experience has been very gratifying. — think the experience has been very gratifying. last _ think the experience has been very gratifying, last year— think the experience has been very gratifying, last year to _ think the experience has been very gratifying, last year to debut - think the experience has been very gratifying, last year to debut here i gratifying, last year to debut here and i_ gratifying, last year to debut here and i came — gratifying, last year to debut here and i came back— gratifying, last year to debut here and i came back and _ gratifying, last year to debut here and i came back and i— gratifying, last year to debut here and i came back and i hope - gratifying, last year to debut here and i came back and i hope this. gratifying, last year to debut here i and i came back and i hope this will be as— and i came back and i hope this will be as interesting _ and i came back and i hope this will be as interesting and _ and i came back and i hope this will be as interesting and i— and i came back and i hope this will be as interesting and i hope - and i came back and i hope this will be as interesting and i hope peoplej be as interesting and i hope people -et be as interesting and i hope people get a _ be as interesting and i hope people get a glimpse — be as interesting and i hope people get a glimpse of— be as interesting and i hope people get a glimpse of what _ be as interesting and i hope people get a glimpse of what it's _ be as interesting and i hope people get a glimpse of what it's like - be as interesting and i hope people get a glimpse of what it's like a - get a glimpse of what it's like a ninja _ get a glimpse of what it's like a nin'a. ., get a glimpse of what it's like a ninja-— tell- get a glimpse of what it's like a ninja-— tell usi ninja. -- living in india. tell us how audiences _ ninja. -- living in india. tell us how audiences have _ ninja. -- living in india. tell us how audiences have received l ninja. -- living in india. tell us- how audiences have received here. since covid, it was a bit slow last year. how have audits in dash

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BBC News

so there was kind of the sense that will this be taken seriously, that there need to be more female film—makers? and of course she was a woman director but there were sort of this dimension of,— of this dimension of, were going to have to leave _ of this dimension of, were going to have to leave it _ of this dimension of, were going to have to leave it there. _ of this dimension of, were going to have to leave it there. so - of this dimension of, were going to have to leave it there. so sorry - have to leave it there. so sorry to interrupt you. thank you so much for joining us from cannes. football — and luton town have completed their remarkable journey from a non—league side to playing in the premier league. they beat coventry city six—five on penalties to win the championship play—off final at wembley. luton�*s captain, tom lockyer, collapsed on the pitch during the match and was taken to hospital — his family say he's now "responsive and talking". luton town were playing non—league footballjust nine years ago — and their kenilworth road stadium will be the smallest in the top flight next season. thousands of people were at liverpool's waterfront today, as the city marked the 80th anniversary of the battle

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Women in Hollywood

in the way they are made and in what is on the screen, and this doesn't even necessarily have to be a woman director. it could be a woman in other roles. we started awarding those stamps and really shining a light on things that were made that way and then it became, "i want the stamp," and audiences are looking for the stamp. when we started, nobody wanted the stamp. we were trudging into the studio saying, "we've got this stamp," and they were like, "we want no part of it, we're not going to be labelled." and now it's like, "can i get the stamp?" and to get the stamp, you have to hire fairly. so it is exciting that there are ways to move the needle. keri, what is lost when women are left out of the decision—making process? i think with decision—making, it is a hard question because there are a lot of ways to approach that. i think when any

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Women in Hollywood

so, really exploring that on a human level, really i think changed the way that people think and out of that came the toolkit. i agree. so the culture change toolkit is something that we build for them to have actual tangible tools to be able to make change along the way. like when you submit a script, take the name off. just read the script for the script. don't read betty's script orjohn's script, just read the script and see what you think. and what we discovered was, scripts written by women, especially like action, or perceived genre things were all of a sudden rising up. because there wasn't this preconception that if a woman wrote it, it wasn't as good as a man. but it was also about involving the audience, so we created something called the reframe stamp that allows films that are gender balanced in the way they are made and in what is on the screen, and this doesn't even necessarily have to be a woman director. it could be a woman in other roles

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Women in Hollywood

have to be a woman director. it could be a woman in other roles. we started awarding those stamps and really shining a light on things that were made that way and then it became, "i want the stamp," and audiences are looking for the stamp. when we started, nobody wanted the stamp. we were trudging into the studio saying, "we've got this stamp," and they were like, "we want no part of it, we're not going to be labelled." and now it's like, "can i get the stamp?" and to get the stamp, you have to hire fairly. so it is exciting that there are ways to move the needle. keri, what is lost when women are left out of the decision—making process? i think with decision—making, it is a hard question because there are a lot of ways to approach that. i think when any decision—making

Way , Woman , Things , Stamp , Light , Stamps , Woman-director , Audiences , Roles , It , Part , Studio

Women in Hollywood

this preconception that if a woman— this preconception that if a woman wrote it, it wasn't as good — woman wrote it, it wasn't as good as— woman wrote it, it wasn't as good as a _ woman wrote it, it wasn't as good as a man.— woman wrote it, it wasn't as good as a man. but it was also about involving _ good as a man. but it was also about involving the _ good as a man. but it was also about involving the audience, l about involving the audience, so we created something called the reframe stamp that allows films that are gender balanced in the way they are made and in what is on the screen and this doesn't even necessarily have to be a woman director. it could be a woman in other roles and we started awarding those stamps and really shining a light on things that were made that way and then it became, i want the stamp and audiences are looking for the stamp. when we started. _ are looking for the stamp. when we started, nobody _ are looking for the stamp. when we started, nobody wanted - are looking for the stamp. when we started, nobody wanted the l we started, nobody wanted the stamp — we started, nobody wanted the stamp. we were trudging into the studio same with got the stamp — the studio same with got the stamp and they were like we want — stamp and they were like we want to— stamp and they were like we want to know part of it copy we are not— want to know part of it copy we are not going to be labelled. and — are not going to be labelled. and now— are not going to be labelled. and now it's like, can i get the — and now it's like, can i get the stamp? and to get the stamp. _ the stamp? and to get the stamp, you have two higher verily — stamp, you have two higher verily so— stamp, you have two higher verily. so it is exciting that, you — verily. so it is exciting that, you know. _ verily. so it is exciting that, you know, there are ways. keri,

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Women in Hollywood

and this doesn't even necessarily have to be a woman director. it could be a woman in other roles. and we started awarding those stamps and really shining a light on things that were made that way, and then it became, "i want the stamp," and audiences are looking for the stamp. when we started, nobody wanted the stamp. we were trudging into the studio saying, "we've got this stamp," and they were like, "we want no part of it, we're not going to be labelled." and now, it's like, "can i get the stamp?" and to get the stamp, you have to hire fairly. so it's exciting that, you know, there are ways to move the needle. keri, what is lost when women are left out of the decision—making process? i think with decision—making, it's a hard question because there are a lot of ways to approach that. i think when any decision—making process doesn't get made by a group

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