Talking with Ditte Daugbjerg Christensen, Managing Co-Director of Ãst for Paradis, we went through the aspects of the Danish arthouse market, the current tendencies related to streaming and the two lockdowns, and, furthermore the immense power and need of movies to relate to each other. Cineuropa: How would you describe your company and its editorial policy? Ditte Daugbjerg Christensen: Weâre a very old company, started by my father, Ole Bjørn Christensen. He was in Japan and saw Kurosawaâs films and he thought we had to have these in Denmark. So, he started importing films in the 1970s. Ãst for Paradis is now both a distributor and an exhibitor and is the largest arthouse cinema in Denmark, with seven screens. I run the company with my sister and my father.