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The Stephen King Book That The Stand Showrunner Would Love To Adapt As A TV Series


CinemaBlend
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When a filmmaker really clicks with Stephen King’s material, it’s not terribly uncommon for them to go back to that well a second or even a third time. Lewis Teague made both
Creepshow and
Gerald’s Game and
Doctor Sleep. With this in mind, it’s easy to understand that though writer/producer Benjamin Cavell only just recently went through the experience of bringing
The Stand into live-action, he has already put thought into another adaptation that he would love to make. Unfortunately, there’s a pretty big snag involved.
With all nine episodes of

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Could Alexander Skarsgard's Randall Flagg Live On In Future Stephen King Adaptations? The Stand Showrunner Has Thoughts


CinemaBlend
As
The Stand miniseries unfolded across nine episodes from the end of last year into the early weeks of 2021, one thing became very clear: Alexander Skarsgard is a tremendous Randall Flagg. Much like how his brother, Bill Skarsgard, perfectly embodied Pennywise The Dancing Clown in Andy Muschietti’s
IT, the actor brought the powerful antagonist to life with the precise palpable charisma and disturbing sense of danger that the character possesses in Stephen King’s novels. Unfortunately his final scene in the miniseries is the last we’ll see of Skarsgard in the role for now, as the Paramount+ exclusive was always designed to be a limited affair – but that doesn’t mean that the showrunner isn’t still holding out hope that we could see him come back someday.

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The Stand: How The Showdown With Alexander Skarsgard's Randall Flagg In The CBS All Access Miniseries Differs From Stephen King's Book


CinemaBlend
After nearly two months of build-up, The Stand against Randall Flagg has been executed. The new CBS All Access adaptation of Stephen King’s
The Stand has now reached its big climax in its eighth episode, and audiences can now witness what happens with Glen Bateman, Larry Underwood, and Ray Brentner following their arrival in New Vegas. For the most part, like the rest of the series, the translation of the text is faithful, as most of the major beats are hit dead on – but also like the rest of the series, there are also a number of alterations that have been made, and it’s those differences that I am here to spotlight.

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Stephen King Praises CBS All Access's The Stand Adaptation


Stephen King Praises CBS All Access's The Stand Adaptation
The Stand may have fans divided, but when it comes to King himself, the author has nothing but praise for the nine-episode miniseries. Last week, King took to social media to share his thoughts on the adaptation and posted that he loved the latest iteration of his story of a post-pandemic, post-apocalyptic world and the battle between good and evil, offering praise to the series' cast as well as the use of the iconic song "Don't Fear the Reaper" in the end credits for the most recent episode "Fear and Loathing in New Vegas"

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Odessa Young details the eerie timing of Stephen King's post-apocalyptic thriller amid the COVID-19


She's starring in Stephen King's post-apocalyptic thriller, The Stand.
And on Sunday, Odessa Young detailed how her role of Frannie Goldsmith in the nine-part series prepared her for the COVID-19 pandemic.
The Australian actress finished filming with the cast in Vancouver in early 2020 when similar occurrences started playing out in front of her. 
'It was just weird, there was something kind of cosmic about it': Australian actress Odessa Young (pictured), 23, has detailed how her role of Frannie Goldsmith in Stephen King's post-apocalyptic thriller, The Stand, prepared her for the COVID-19 pandemic
'It was just weird, there was something kind of cosmic about it. I remember we all stated making jokes that CBS had designed the pandemic as a marketing tool for the fans,' the 23-year-old said in an interview with The Herald Sun's Insider. 

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'The Stand': TV Review | Hollywood Reporter


12/17/2020
CBS All Access caps off our COVID-dominated 2020 with the premiere of a new miniseries adaptation of Stephen King's post-pandemic allegory about good and evil.
On the page, Stephen King's
The Stand (1978) is a study in horrifying momentum. It's so propulsive that King was able to add hundreds of pages 12 years after its original publication without sacrificing the celerity of a narrative that keeps moving from one climax — a burgeoning plague, humanity mobilizing in Boulder, the final stand — to another. It's generally clear, and it's always churning along.
CBS All Access' new adaptation of
The Stand is a car on cinderblocks. It looks great. If you glance under the hood, you can see all of the work that's been done on the engine. But no matter how ready it seems to peel out onto the road, it isn't going anywhere. Very rarely is the Benjamin Cavell-steered adaptation, with Josh Boone directing the pilot, actively bad, but it's very frustrating.

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