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Raphael Montañez Ortiz: A Contextual Retrospective - Announcements

Raphael Montañez Ortiz: A Contextual Retrospective - Announcements
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Mexico-city , Distrito-federal , Mexico , New-york , United-states , Puerto-rico , El-museo-del-barrio , America , American , Puerto-rican , Rodrigo-moura , Tony-bechara

Why Resale Restrictions Are Another Arena for Artists to Flex Their Muscles in a Talent-Driven Art Market (and Other Insights)

Our columnist unpacks how "no-flip" provisions are another chance for artists to capitalize on their growing leverage in the trade.

New-york , United-states , Paula-cooper-gallery , Museum-of-modern-art , American , Brianl-frye , Pryor-cashman , Michael-xufu-huang , Cecily-brown , Ed-ruscha , Paula-cooper , Larry-ossei-mensah

Picasso in pixels | Apollo Magazine

The ‘Rethinking Guernica’ website allows us to scrutinise Picasso’s anti-war masterpiece in greater detail than ever, writes Jennifer Mass

Germany , New-york , United-states , Iraq , Paris , France-general , France , El-salvador , Madrid , Spain , Italy , Vietnam

Unionizing to keep the Experimental Station community alive

click to enlarge
Kahari Black, a long time member of the Experimental Station community, helping a young skater at the Experimental Station Union May Day event.
Davon Clark
It's no secret that Experimental Station (ES) is unique. The Woodlawn space has various tenants but it isn't just art-focused. It’s a museum, it’s a coffee shop, it’s a farmer’s market. When explaining the space to folks who don't live in the area, it can sound like a utopia of sorts, a place where people can create and work alongside one another, a central nervous center of community-focused people working within their neighborhood on projects they are passionate about. Without the employees at ES, there would be no space like the one that exists.

New-york , United-states , Woodlawn , Illinois , Hyde-park , Logan-square , Chicago , America , J-michael-eugenio , Martin-friedman , Frank-lloyd-wright , Joe-biden

Memes Are Dominating Attention Spans and Clicks Like Never Before. So Why Is Serious Socially-Engaged Art Also Thriving?

Read an excerpt from the new book "More Art in the Public Eye."
December 24, 2020
Staged between the cubicle-like glass partitions of Brookfield Place’s atrium, in downtown Manhattan, Ernesto Pujol’s performance
9-5 (2015) paid homage to city office workers; writing silently for 8 hours a day, performers’ meditative gesture evoked the repetitiousness of all labor and created a literature
of pedestrian life in the city. © Nisa Ojalvo 2015.
A mohawk-topped black man defiantly marches forward across a public plaza as a weaponized water cannon blasts him back, creating a visceral spectacle recalling civil rights confrontations in 1960s Birmingham, Alabama, but the year is really 2014, and the place is New York City. A series of free workshops teaches eager participants the art and history of protest songs, all the while repurposing such musical dissent to accommodate issues of contemporary resistance. A mysterious huddle of white-clad scriveners silently documents the routine behavior of urban passersby, including those everyday acts of drudgery, pleasure, and resistance that theorist Michel de Certeau described as the “murmuring voice of societies.” Who are these persons, agents, performers? What do they want? And how did they and their projects materialize in the city’s public spaces?

New-york , United-states , Alabama , Zuccotti-park , United-kingdom , Missouri , Madrid , Spain , Brazil , Vietnam , Republic-of , Manhattan