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A lot less complicated than some people would like to make it. So when you think about it in the video space, it is not a horizontal deal. We do not compete with Time Warner Cable anywhere. There is not a consumer in america who has a choice between buying comcast products or Time Warner Cable products. At the end of the day, were are going to have under 30 of the market. So not scary. There is one thing that is appropriate to think about and discuss. It is the implications on the broadband side. I think there is a very good story there as well. Lots of competitive impacts and proconsumer impacts from the transaction as a result of the increased investment. Again, not a very scary story when you look at market share. Something less than 40 of the wire line broadband share. But if you factor in wireless, and it is indisputable that wireless is beginning to be an effectiv ....
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Last modified on Wed 9 Jun 2021 12.17 EDT The Gold Diggers of 1933 The Gold Diggers of 1933 is a film of quarters, and not just the giant coins that cover the chorus line’s modesty. Four wisecracking kids are dying to make it on Broadway: Joan Blondell is a singer, Ginger Rogers a sex kitten, Ruby Keeler a sweetheart and Aline MacMahon has the jokes. But the shows they hustle into close before they open. As Rogers snarls, it’s “the depression, dearie”. But then Dick Powell changes their luck with catchy tunes and deep pockets. This is a bona fide pre-Code musical, so the talkie scenes burst with prohibition-busting backstage antics and a little Park Avenue farce, but the curtains open wide on four of the most outlandish numbers ever filmed, courtesy the kaleidoscopic visions of Busby Berkeley and what deadpan Ned Sparks calls: “The gay side, the hard-boiled side, the cynical and funny side of the Depression!” Vivacious economic optimism in We’re in the Money ....