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The non-profit association of teachers and scholars honors artists and scholars whose teachings have influenced the history of animation. 

I attended The AI Summit conference in London, and after meeting AI experts, these are the pressing concerns facing AI.

I don’t remember the first time a digital artwork made me cry, but of the many times it has happened, I remember a few quite clearly. One of the most memorable was in 2018, when I was viewing Christiane Paul’s important historical survey at the Whitney Museum, Programmed: Rules, Codes, and Choreographies in Art, 1965–2018.

“It has already been demonstrated that the computer can assist the sculptor to some degree; in the future it may, in effect, come to collaborate with him.” Amid the current debate about AI-generated art, we’re revisiting the remarkably prescient 1969 essay “Computer Sculpture,” in which Robert Mallary—who abandoned his renowned career as an assemblagist after learning to code—elucidates the then-inchoate field of cybernetic art and predicts a world in which sculptors using computers will no longer be able to “pull out the plug.”SCULPTURE IS AN EXTREMELY PHYSICAL art dependent...

Two museum shows opened in February about art and technology that, combined, span the last seventy years and present some of the different discourses surrounding the convergence of these two fields. I’ll Be Your Mirror: Art and the Digital Screen, curated by Alison Hearst at The Modern Museum of Fort Worth presents nearly every contemporary medium from paintings and installations to games and face filters in an expansive exhibition of fifty artists across twelve sections touching on some of the major psycho-social outcomes of our mediated landscape. Coded: Art Enters the Computer Age 1952...