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Richard Roundtree gave life to an alchemy of arrogance, attitude and swagger never-before-seen on screen in an African American man, writes Sam Fulwood III.
Richard Roundtree gave life to an alchemy of arrogance, attitude and swagger never-before-seen on screen in an African American man, writes Sam Fulwood III.
Diarmuid Hester’s travelogue celebrates the history of queer spaces in 20th century subculture, from Josephine Baker’s Paris to EM Forster’s Cambridge
Released in 1972 and now rediscovered, the movie is as ambitious as “Sweet Sweetback’s Baadasssss Song” and even weirder.