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Paris Review - The Art of Fiction No. 260 - Vimarsana News

Paris Review - The Art of Fiction No. 260

On Clipper Street in San Francisco, 1982. Courtesy of Robert Glück.   Robert Glück’s best-known work, Margery Kempe (1994), is an entirely original novel that juxtaposes apparently autobiographical episodes from the life of “Bob,” a man who has an all-consuming p...

How James Baldwin, Derek Jarman and EM Forster Queered Their Interiors - Vimarsana News

How James Baldwin, Derek Jarman and EM Forster Queered Their Interiors

Here, Diarmuid Hester talks about his new book Nothing Ever Just Disappears – a chronicle of how the homes of prominent queer 20th-century creatives shaped their work and personhood

Nothing Ever Just Disappears by Diarmuid Hester, review: A revelatory look at queer culture - Vimarsana News

Nothing Ever Just Disappears by Diarmuid Hester, review: A revelatory look at queer culture

A journey through key spaces in the lives of seven artists is imaginative and engrossing

Nothing Ever Just Disappears review – fascinating journeys into LGBTQ+ courage - Vimarsana News

Nothing Ever Just Disappears review – fascinating journeys into LGBTQ+ courage

Diarmuid Hester’s travelogue celebrates the history of queer spaces in 20th century subculture, from Josephine Baker’s Paris to EM Forster’s Cambridge

'Wit had social currency': Nate Lippens ghosts through the AIDS generation in 'My Dead Book' - Vimarsana News

'Wit had social currency': Nate Lippens ghosts through the AIDS generation in 'My Dead Book'

Serial killers, homophobia, poverty, drugs—and also love, art, connection, and humor in author's debut novel.