A 'deplorable tactic': why film studios are pitting influencers against critics
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The latest Talking Point,/talking-points,,talking-points, breaking news, comment, reviews and features from the experts at The Week
Over in the puritanical United States, there has been much bloviating about how ‘unnecessary’ some scenes in Emerald Fennell's film are
As with Promising Young Woman before it, the Saltburn backlash focuses on the fact that Emerald Fennell is rich, rather than the quality of her film.
Whether it’s the racy shagging of ‘Skins’ or the chaste hand-holding of ‘Heartstopper’, coming-of-age shows have long approached on-screen intimacy from different angles. Isobel Lewis finds out the secrets of navigating the tricky genre, and how TV can educate as much as entertain
Here, Diarmuid Hester talks about his new book Nothing Ever Just Disappears – a chronicle of how the homes of prominent queer 20th-century creatives shaped their work and personhood