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Reply(1) The virtual dance class fills a need for many parents of younger children who are looking for an engaging and educational activity to keep their kids moving at home. (Shutterstock) Press release from The Dance Connection: Jan. 17, 2021 The Dance Connection of Hillsborough, NJ has launched a virtual dance class called Dancing Outside the Box™ for children ages 3-5 years old. The class keeps kids moving by combining elements of an educational TV series, a dance class and a virtual performance. Subscribe The virtual dance class fills a need for many parents of younger children who are looking for an engaging and educational activity to keep their kids moving at home. Each class has a limit of 10 children. Classes meet weekly, just like a normal dance class and each week s class has a different theme. Young dancers journey to outer space, the north pole, or to a pirate ship. There are dozens of themes. During the class teachers use multiple virtual ....
Childrenâs dance class blurs lines between virtual performance, education, traditional class Childrenâs dance class blurs lines between virtual performance, education, traditional class The Dance Connection of Hillsborough has launched a virtual dance class called Dancing Outside the Box (DOTB) for children ages 3-5 years old. The class keeps children moving by combining elements of an educational TV series, a dance class and a virtual performance. The virtual dance class fills a need for many parents of younger children who are looking for an engaging and educational activity to keep children kids moving at home, according to information provided by owner David Kieffer. ....
The Offending Classic Photo: Nikolai Aistov as the Rajah, Julia Sedova as Gamzatti and Pavel Gerdt as Solor (ca. 1902). Courtesy of the Marius Petipa Society. We have recently seen a conflict over a Depression-era mural on the wall of a public school in San Francisco. It came under attack by the student body for its offensive content to minorities, even though the 1930s mural in question was by Russian leftist émigré artist Victor Arnautoff (hardly a household name) and was created as a protest against the injustice propagated by the United States of America against minorities.[1] A dead Native American at the feet of the first President of the United States is the offending element within this image. The irony in this image, which contests our country’s great democratic myth, is apparently no longer legible as such to the very interpretive community the artist might well have wished to address today. The dead Native American is now taken literally, and the representat ....