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Kate Coleman, Free Speech Movement veteran and journalist, dies at 81

Kate Coleman, Free Speech Movement veteran and journalist, dies at 81
sfchronicle.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sfchronicle.com Daily Mail and Mail on Sunday newspapers.

California , United-states , Berkeley , Reseda-high-school , San-francisco-bay , Alcatraz , Sproul-hall , Stanford-university , Oakland , Sproul-plaza , Paul-avery , Carol-pogash

Kate Coleman, who documented the Bay Area counterculture, dies at 81

Kate Coleman, who documented the Bay Area counterculture, dies at 81
editorandpublisher.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from editorandpublisher.com Daily Mail and Mail on Sunday newspapers.

Oakland , California , United-states , Berkeley , New-york , Kate-coleman , Carol-pogash , New-york-times , University-of-california , Bay-area , Black-panthers ,

Kate Coleman, Who Documented the Bay Area Counterculture, Dies at 81

She wrote about politics and the patriarchy as a left-wing writer, then alienated her compatriots with exposés critical of the Black Panthers and the environmental movement.

Berkeley , California , United-states , Los-angeles , Oakland , American , Kate-coleman , Carol-pogash , Los-angeles-times , University-of-california , Bay-area , Black-panthers

Bill Wood | Obituaries | taosnews.com

A longtime Taos area resident known for his progressive politics, quiet decency and wearing shorts no matter how low the temperature, died last month at his home in Arroyo Seco.

Arroyo-seco , California , United-states , San-francisco , San-diego-state-university , Carol-pogash , William-pierson-wood , Jacob-wood , James-wood , Rachel-wood , Austing-haus , John-wood

The satisfaction of viral quitting

On TikTok and YouTube, workers are sharing their stories of leaving their jobs, giving them a sense of power over often untenable situations

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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , ,

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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net

Ragnar Kjartansson: Romantic Songs of the Patriarchy, with performers Diana Gameros, left, and Kendra McKinley at the Guggenheim Museum iin New York. A video installation by Wu Tsang with Beverly Glenn-Copeland is part of a series of shows with a shared political charge, a taste of what can be. Solomon R. Guggenheim Museum; David Heald via The New York Times.
by Holland Cotter
(NYT NEWS SERVICE)
.- When the lockdown lifted this past spring, some of our big New York City museums were able to slide major waiting-in-the-wings exhibitions into place. The Guggenheim wasnt so lucky. A traveling Joan Mitchell retrospective slated to fill its rotunda had been canceled. The museum might have whipped up a crowd-pleasing show of modernist chestnuts from the collection. Instead, it did something more interesting. It turned itself into an old-style alternative space. It already had some small side-gallery shows in place or on track, including a selection of gnarly, gripping photographs by the 2020 Hugo Boss Prize winner, Deana Lawson. But to fill its spiraling central space high and wide, a combination cathedral and chasm the museum had to get inventive, and it did so in a multipart series of installations called Re/Projections: Video, Film, and Performance for the Rotunda. In part, the program was designed to facilitate social distancing. The ramp bays, which ... More

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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net

Pan American Unity, a 30-ton, 74-foot-wide-by-22-foot mural by Diego Rivera, undergoes installation at the San Francisco Museum of Modern Art, May 16, 2021, where it will be on view starting Monday, June 28. A four-year, multimillion-dollar undertaking involving mechanical engineers, architects, art historians and handlers, fresco experts and riggers from the U.S. and Mexico will allow more people to see the monumental 10-panel fresco, long tucked away in the lobby of a theater at City College of San Francisco. Cayce Clifford/The New York Times.
by Carol Pogash
(NYT NEWS SERVICE)
.- For decades the monumental 10-panel fresco by Diego Rivera depicting a continent linked by creativity has been mounted in the lobby of a theater at City College of San Francisco. There, somewhat tucked away from the art world, it has been cared for as a labor of love by a de facto guardian who has long dreamed of finding a way to allow more people to experience it. Now, after a four-year, multimillion-dollar undertaking involving mechanical engineers, architects, art historians, fresco experts, art handlers and riggers from the United States and Mexico, the 30-ton, 74-foot-wide-by-22-foot mural has been carefully extracted and moved across town to San Francisco Museum of Modern Art, where it will go on display June 28. Diego was building a metaphoric bridge between the Mexican culture and the tech culture of the United States, said Will Maynez, the former lab manager of the physics department at City College, who became the unlikely guardian ... More

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How do you move a 30-ton Diego Rivera fresco? Very carefully.

How do you move a 30-ton Diego Rivera fresco? Very carefully.
A section of Pan American Unity, a 30-ton, 74-foot-wide-by-22-foot mural by Diego Rivera, on the day it was extracted from the theater where it has long resided at City College of San Francisco, May 15, 2021. A four-year, multimillion-dollar undertaking involving mechanical engineers, architects, art historians and handlers, fresco experts and riggers from the U.S. and Mexico will allow more people to see the monumental 10-panel fresco, starting Monday June 28, at the San Francisco Museum of Modern Art. Cayce Clifford/The New York Times.
by Carol Pogash
(NYT NEWS SERVICE)

New-york , United-states , Mexico , San-francisco , California , American , Carol-pogash , Cayce-clifford , Diego-rivera , New-york-times , San-francisco-museum-of-modern-art , City-college-of-san-francisco

The Offending Classic | Mass Review

The Offending Classic
Photo: Nikolai Aistov as the Rajah, Julia Sedova as Gamzatti and Pavel Gerdt as Solor (ca. 1902). Courtesy of the Marius Petipa Society.
We have recently seen a conflict over a Depression-era mural on the wall of a public school in San Francisco. It came under attack by the student body for its offensive content to minorities, even though the 1930s mural in question was by Russian leftist émigré artist Victor Arnautoff (hardly a household name) and was created as a protest against the injustice propagated by the United States of America against minorities.[1] A dead Native American at the feet of the first President of the United States is the offending element within this image. The irony in this image, which contests our country’s great democratic myth, is apparently no longer legible as such to the very interpretive community the artist might well have wished to address today. The dead Native American is now taken literally, and the representation itself seen as a hateful statement.

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