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New York Festival of Song and Young Concert Artists come together for a feast of lyrical delights – Seen and Heard International seenandheard-international.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from seenandheard-international.com Daily Mail and Mail on Sunday newspapers.
With the recent spate of balmy (for mid-February) weather, it might seem spring is just around the corner. It was only a month ago, on a frigid Monday ....
7 pm ET: Lawrence Brownlee presents The Sitdown with LB. The tenor’s Facebook Live series returns with an unfiltered and honest look inside the opera industry. This week: Management, featuring Matthew Horner (IMG Artists) and Alex Fletcher (Fletcher Artist Management). View here. LIVE 7:30 pm ET: Met Opera Streams presents Donizetti’s Don Pasquale. Starring Beverly Sills, Alfredo Kraus, Håkan Hagegård, and Gabriel Bacquier, conducted by Nicola Rescigno. Production by John Dexter. From January 11, 1979. View here and for 24 hours. 7:30 pm ET: SalonEra presents Jewish Diaspora. Recorder virtuoso Daphna Mor explores Sephardic song and Jewish liturgical poetry while viola da gamba player Elizabeth Weinfield highlights the contributions of 17th-century converso composer Leonora Duarte. Additional guests to be announced. View here. ....
| 04/10/2003 (5 out of 5 stars) You dont go to Haitink for extremes or quirkiness, so it may seem odd to recommend his recording of a work which some other conductors play as if it was the epitome of irony and quirkiness. But, just as his Mahler 6th of the early sixties offered a truly symphonic and comprehensible picture of that dark and tragic work, so this Shostakovich 15th brings us profundity mixed with tenderness viewed through sanity. And its that very sanity, which some critics (e.g. the authors of the Good CD Guide) deride, which makes the ethereal ending of the 15th so moving and yet so understandable, so human and universal in a way which more obviously edgy performances can t do. The sound is equally analytical and clear, both involving and yet also distancing in exactly the way the symphony is. There is a place for white-hot Shostakovitch interpretations, especially in the 15th, but there is also a place for this pensive and profoundly human one. ....