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he can say anything. he banksy? and he was absolutely livid, he can say anything-— banksy? and he was absolutely livid, he can say anything. he was standing next to her in — he can say anything. he was standing next to her in the _ he can say anything. he was standing next to her in the queue. _ he can say anything. he was standing next to her in the queue. yes. - he can say anything. he was standing next to her in the queue. yes. she i next to her in the queue. yes. she said that was _ next to her in the queue. yes. she said that was tremendously - next to her in the queue. yes. she i said that was tremendously awkward. she a thousand stories available. the secrecy is incredible and the levels of secrecy because for a long while his parents didn't know it was him either. , ,, , , , ., him either. yes. steph sells about as ou him either. yes. steph sells about as you noticed _ him either. yes. steph sells about as you noticed a _ him either. yes. steph sells about as you noticed a man _ him either. yes. steph sells about as you noticed a man walking i him either. yes. steph sells about i as you noticed a man walking around on his own and it rapidly emerged this was banksy�*s father shortly before the exhibition and banksy hadn't confessed to his parents who he was they thought he was a painter and decorator. and apparently when he told them because he needed to go to an exhibition in vienna, why don't they have painters and decorators in vienna? so the

He-banksy , Yes , Queue , Anything , Stories , Say-anything , A-thousand , Steph-warren-who , Secrecy , Parents , Him , Levels

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sport they play with people like me who want to know about the favourite son and we were given loads of old baloney about he is a middle—aged woman, he only dresses in black, just a progress of the track. he is a radical guy and they have taken him to their hearts. [30 a radical guy and they have taken him to their hearts.— a radical guy and they have taken him to their hearts. do you think we will ever learn _ him to their hearts. do you think we will ever learn who _ him to their hearts. do you think we will ever learn who banksy - him to their hearts. do you think we will ever learn who banksy actually i will ever learn who banksy actually is? i will ever learn who banksy actually is? ., , ., ., ., is? i hope not. ithought i wanted to know but _ is? i hope not. ithought i wanted to know but i _ is? i hope not. ithought i wanted to know but i think— is? i hope not. ithought i wanted to know but i think it _ is? i hope not. ithought i wanted to know but i think it would i is? i hope not. ithought i wanted to know but i think it would ruin l to know but i think it would ruin everything. 50 to know but i think it would ruin everything-— to know but i think it would ruin eve hina. , ., ., everything. so you started at the bearinnin everything. so you started at the beginning wanting _ everything. so you started at the beginning wanting to _ everything. so you started at the beginning wanting to know i everything. so you started at the beginning wanting to know and l everything. so you started at the i beginning wanting to know and now perhaps you have embraced him as he is. ,, , perhaps you have embraced him as he is, ,, , , ., perhaps you have embraced him as he is. , , ., , ,, is. steph said she would wishes she never knew — is. steph said she would wishes she never knew who _ is. steph said she would wishes she never knew who he _ is. steph said she would wishes she never knew who he was _ is. steph said she would wishes she never knew who he was and - is. steph said she would wishes she never knew who he was and i - is. steph said she would wishes she never knew who he was and i thinkl never knew who he was and i think knowing who he is would ruin it and stopping being banksy. lets leave him alone, he's brilliant. we stopping being banksy. lets leave him alone, he's brilliant.- him alone, he's brilliant. we are out of time- _ him alone, he's brilliant. we are out of time. you _ him alone, he's brilliant. we are out of time. you can _ him alone, he's brilliant. we are out of time. you can hear - him alone, he's brilliant. we are out of time. you can hear the i

People , Sport , Woman , Son , Loads , Baloney , He-banksy , Hearts , Him , Guy , Who , Progress

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campaign against him. and in this half we talk the elusive graffiti artist banksy with a journalist who has just made a podcast series about his work. all of that after we catch up his work. all of that after we catch up with the latest sport. hello from the bbc sport centre. england have been in the wickets at old trafford, as they look to stay in this ashes series with australia. it started well for england — who chose to bowl first — stuart broad and chris woakes, removing australia's openers usman khawaja and david warner before lunch. australia stopped in their tracks again after lunch — a big wicket for mark wood, who was so crucial in their win at headingley, preventing steve smith from reaching his 50. australia are currently 183—4 and lead the five match series 2—1 so england have to win this test to stay in with a chance of winning the

All , He-banksy , Journalist , Work , Podcast-series , Half , Sport , Wickets , England , Bbc-sport-centre , Hello , Old-trafford

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can you just tell me who he is? no. just tell me his name? no, no, no. just a tiny little hint? i won't do it. can you just tell us about him? like what? how does he smell? like paint. does he have good table manners? terrible. is he funny? definitely made me laugh. is he kind? he has his moments. is he charming? he's very kind of reserved. do people warm to him? not really! i wouldn't say he's a warm character, no. has he got any distinguishing features? his anonymity. has he got any tattoos? i'm not telling you. is he incredibly muscly, like arnold schwarzenegger? no. is he noticeably angry about the world, the state of the world? yeah, you have to be, right? is he finished yet? not until he's dead, no one's finished, are they? what's his name? banksy. with me is james peak the writer and presenter of the the banksy story podcast. what a tantalising exchange that was. how difficult was it to

Us , Hint , Name , Him , Paint , Table-manners , Terrible , People , Kind , Anonymity , Character , Features

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persuade her to actually talk to you? and in terms of the pressure she feels of not revealing the identity, how does she grapple with all of that? it identity, how does she grapple with all of that? ., ., ~' identity, how does she grapple with all of that? ., ., ,, , identity, how does she grapple with all ofthat? , ., identity, how does she grapple with all of that? , ., ., , ., all of that? it took us about a year or sliahtl all of that? it took us about a year or slightly over — all of that? it took us about a year or slightly over a _ all of that? it took us about a year or slightly over a year _ all of that? it took us about a year or slightly over a year to _ all of that? it took us about a year or slightly over a year to persuade j or slightly over a year to persuade steph that she wanted to talk to us and she would trust us and she only wanted to talk to radio four because she felt the shades of grey and her story would be dealt with properly. she has found it very difficult. she obviously had a wonderful time in this world but there was an incident she talks about where she went to a festival with banksy who is obviously anonymous, and they were standing in the queue and a friend of hers from hastings came past and said, are you still working for banksy? and he was absolutely livid,

All , Pressure , Identity , Terms , It-identity , Ofthat , Sliahtl , Us , Steph , Story , Shades-of-grey , Four

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the best tables but it's at least hopefulsignal. but the best tables but it's at least hopeful signal. but there is a downside. in trading like this we've also seen small falls in the value of sterling as international investors take the money to countries where they can get higher interest rates.— interest rates. thank you for taking us throu~h interest rates. thank you for taking us through those _ interest rates. thank you for taking us through those statistics. - i want to spend the next few minutes talking about the number one arts podcast at the moment — �*the banksy story'. it explores the secret world of the uk graffitti kid — who became a household name — a cultural phenomenon, who often bites the hand that feeds him. most people will remember images like this — that popped up on the streets of bristol. but his identity, has always remained a closely guarded secret. james peake has made this ten part documentary — i'll talk to him in a moment. first though, i want to play you a clip ofjames, talking to steph warren — who worked for banksy in the early years, and one of the few people who knows his identity. have a listen.

Money , Investors , Countries , Tables , Trading , Signal , Interest , Downside , Falls , Value , Sterling , Hopefulsignal

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doing you are going to wait forever. he has got a brass neck. he doing you are going to wait forever. he has got a brass neck.— he has got a brass neck. he talked about that audio _ he has got a brass neck. he talked about that audio so _ he has got a brass neck. he talked about that audio so i _ he has got a brass neck. he talked about that audio so i will _ he has got a brass neck. he talked about that audio so i will put i he has got a brass neck. he talked about that audio so i will put it i he has got a brass neck. he talked about that audio so i will put it on | about that audio so i will put it on the screen now. it's audio, may be of him, talking to an american journalist. of him, talking to an american journalist-— of him, talking to an american journalist. of him, talking to an american “ournalist. 1, ~' , ., , , , ., journalist. banksy, we assume you are who you _ journalist. banksy, we assume you are who you say — journalist. banksy, we assume you are who you say you _ journalist. banksy, we assume you are who you say you are _ journalist. banksy, we assume you are who you say you are but i journalist. banksy, we assume you are who you say you are but how . journalist. banksy, we assume you i are who you say you are but how can we be _ are who you say you are but how can we be sure — are who you say you are but how can we be sure-— are who you say you are but how can we be sure. ., ., ., ., ., ., we be sure. you have no guarantee at all. you we be sure. you have no guarantee at all- you have — we be sure. you have no guarantee at all. you have hand-out _ we be sure. you have no guarantee at all. you have hand-out working i we be sure. you have no guarantee at all. you have hand-out working for. all. you have hand-out working for ma'or all. you have hand-out working for major new— all. you have hand-out working for major new york — all. you have hand-out working for major new york institutions. i all. you have hand-out working for major new york institutions. tell l all. you have hand-out working for| major new york institutions. tell us about— major new york institutions. tell us about what— major new york institutions. tell us about what you hang in the net? it about what you hang in the net? [it was a about what you hang in the net? it was a beautiful old oil painting of a society— was a beautiful old oil painting of a society lady— was a beautiful old oil painting of a society lady and _ was a beautiful old oil painting of a society lady and i— was a beautiful old oil painting of a society lady and i painted - was a beautiful old oil painting of a society lady and i painted a i was a beautiful old oil painting of a society lady and i painted a gasj a society lady and i painted a gas mask— a society lady and i painted a gas mask over— a society lady and i painted a gas mask over the _ a society lady and i painted a gas mask over the top _ a society lady and i painted a gas mask over the top of _ a society lady and i painted a gas mask over the top of the - a society lady and i painted a gas mask over the top of the face. i. mask over the top of the face. i thought— mask over the top of the face. i thought some _ mask over the top of the face. i thought some of _ mask over the top of the face. i thought some of them - mask over the top of the face. i thought some of them quite i mask over the top of the face. i. thought some of them quite good. otherwise — thought some of them quite good. otherwise they _ thought some of them quite good. otherwise they will— thought some of them quite good. otherwise they will just _ thought some of them quite good. otherwise they willjust sit - thought some of them quite good. otherwise they willjust sit at i thought some of them quite good. i otherwise they willjust sit at home and we _ otherwise they willjust sit at home and we would — otherwise they willjust sit at home and we would see _ otherwise they willjust sit at home and we would see them. _ otherwise they willjust sit at home and we would see them. if- otherwise they willjust sit at home and we would see them. if you i otherwise they willjust sit at home and we would see them. if you wait for people — and we would see them. if you wait for people to — and we would see them. if you wait for people to latch _ and we would see them. if you wait for people to latch onto _ and we would see them. if you wait for people to latch onto what - and we would see them. if you wait for people to latch onto what you i for people to latch onto what you are doing — for people to latch onto what you are doing you _ for people to latch onto what you are doing you will— for people to latch onto what you are doing you will be _ for people to latch onto what you are doing you will be waiting i are doing you will be waiting forever~ _ are doing you will be waiting forever. you _ are doing you will be waiting forever. you may— are doing you will be waiting forever. you may as - are doing you will be waiting forever. you may as well i are doing you will be waiting i forever. you may as well stick it are doing you will be waiting - forever. you may as well stick it in yourself _ forever. you may as well stick it in yourself is — forever. you may as well stick it in ourself. , ., ., , forever. you may as well stick it in ourself. , ., ., ., yourself. is that him was that an impostor? _ yourself. is that him was that an impostor? l _ yourself. is that him was that an impostor? i don't _ yourself. is that him was that an impostor? i don't know. - yourself. is that him was that an impostor? i don't know. if- yourself. is that him was that an impostor? i don't know. if it's. yourself. is that him was that an i impostor? i don't know. if it's not him at somebody _ impostor? i don't know. if it's not him at somebody who _ impostor? i don't know. if it's not him at somebody who knows i impostor? i don't know. if it's not

It , Us , Audio , Brass-neck , Brass-neck- , He , Screen , All , He-banksy , Journalist , Him , Institutions

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anonymity and the cultural secrecy are the through line that steph had to deal with and although it was fun i think it weighed heavily on her at times. ., ., times. tell me more about the “ourne , times. tell me more about the journey. from _ times. tell me more about the journey, from street _ times. tell me more about the journey, from street artist i times. tell me more about the journey, from street artist so i times. tell me more about the | journey, from street artist so in effect becoming the darling of the art world. it's a journey full of tension and tussle. it art world. it's a journey full of tension and tussle.— art world. it's a journey full of tension and tussle. it is. banksy's feelinus tension and tussle. it is. banksy's feelings about _ tension and tussle. it is. banksy's feelings about the _ tension and tussle. it is. banksy's feelings about the art _ tension and tussle. it is. banksy's feelings about the art world i tension and tussle. it is. banksy's i feelings about the art world perhaps should be more widely known because now he is able to come he's got the art world at his beck and call, but i don't think he approves of the formal art world. one of the things we found out is that he is in effect undergoing a huge campaign of wealth redistribution. he is taking money from the rich articles and recycling it to a number of very good causes. he founded about in the mediterranean for louise michelle

Journey , Steph-warren-who , Times , Secrecy , Anonymity , Ourne , Line , Street-times , He-banksy , Tension , Tussle , Art-world