CSPAN3 Lectures In History The Cold War In American Photography July 12, 2024
Here is that part of the image itself in some ways is without inherent meaning, some ways the photograph itself needs to be coded through captions, through the sort of articles next to it, through many other ideas like the readers own political persuasion. The image becomes largely meaningless until it becomes coded by the surrounding areas. In some ways, the image without a code needs a code, the context for understanding its meaning. So talks about the paradox of photography and particularly of press photography. The ways that constructed intentional meaning, the things that have opinions or...