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We are still in the first month of the Bengali new year. Since most of us live by the Gregorian calendar, we forget to count the days/months in the Bengali system. The first day of a Bengali new year is an emotion… an emotion that’s celebrated wearing notun jama. Parents insist that no matter how a person is, one must wear something new. It’s been a few weeks since Poila Baisakh but one can’t forget the mouthwatering spread restaurants continue to serve, from bhetki roll and pomfret paturi to improvised traditional sweets, like baked malai rosogolla. But amiss is yesteryear grandma�...

'Home is a Place', the exhibition curated by Kishore Singh, has poignant meaning in today’s times. Featuring a diverse selection of homescapes, still-life compositions, pastoral lives and bourgeoisie preoccupations, the 130 works will make us evaluate our own spaces and homes. Whether secure or stifling, this exhibit is an ode to the place most of us regard as our refuge and sanctuary. On from 12 April - 23 May 2021 at DAG, The Claridges, the exhibition covers the simplicity as well as the complexity of lives within the jurisdiction of the home. Divided into five sections, the span covers O...

The Reclining Nair Lady by Raja Ravi Varma is the oldest painting in the collection on display till Mar 10

Things to do today in Bengaluru Things to do today in Bengaluru Bangalore Mirror Bureau / Updated: Feb 27, 2021, 06:00 IST Alliance Francaise presents “Jis Ne Lahore Nai Dekhya …. O Jaimyai Nai”, a famous play by Asghar Wajahat. Written in the 1980s, the play revisits history in the aftermath of the partition of India (Hindusthan). Directed by Zafer Mohiuddin, this acclaimed play is in Hindi with an essence of Urdu and Punjabi. Where: Alliance Francaise de Bangalore, Vasanth Nagar; When: Feb 27 – Feb 28, 4 pm, 7 pm; Entry: Free For the love of art If you like visiting art exhibitio...

Rita Datta   |     |   Published 23.01.21, 01:55 AM A title is an anchor, but also a limiting tether. So Cima chooses to call its current show, on till January 30,  Untitled. It traces how, from vintage modernism to the fizz of contemporary colloquialism, concerns recur through stylistic shifts that five generations of Indian artists have negotiated. If Jamini Roy’s post-Impressionism approaches the landscape with Wordsworthian romanticism, Paramjit Singh’s dense brushwork makes it...