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Tracey Emin's new exhibition with the gallery revolves around a seminal theme in her oeuvre—love in all its many guises. In a new series of paint

In an era marked by continuous technological evolution, which incessantly alters the fabric of our daily reality, a book emerges that promises to illuminate the path towards the future: "We are the Glitch. Come AI, Web3 e Metaverso stanno trasformando il settore dell'Accoglienza" ("We are the Glitch. How AI, Web3, and Metaverse are Transforming the Hospitality Sector"), written by Simone Puorto and published by Dario Flaccovio Editore for the “Accadde Domani FuTurismo” series, curated by digital project manager and brand strategist Nicoletta Polliotto.

At Teruko Yokoi’s retrospective at Marlborough Gallery, which includes fifty works spanning from 1957 to 2012, I had the feeling that the paintings were somehow twinkling or gleaming as I walked through the galleries.

Leaps of Faith, March 31–August 25, 2024 // Daiga Grantina, Four Sides of a Shadow, March 31–August 25, 2024 // Riar Rizaldi, Fossilis, March 31–June 16, 2024

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