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I can perform, i can choreograph, i can assist you. And i got a note back saying come on. [ laughs ] jerry was making money hand over fist and balanchine had although he had done good work on broadway had never been terribly successful, the way jerry was being. I mean, jerry was really the king of broadway. Jerry was connected to a different audience and had a popular point of view that he felt would be useful. And remember in those days new York City Ballet was considered very, very elite. It was high tone. Sometimes on a matinee thered be more dancers onstage than in the audience and we were...

As artist Julie Polidoro’s airy Italian loft proves, a home is just one big canvas.

The same five binders have traveled with Anya Davis for more than 20 years as she moved from Pennsylvania to Virginia to North Carolina. In them are p

In an art form that leaves few tangible traces, performers often become collectors of mementos from their careers. A lucky few find an archival home for their treasures.

Alice Robb’s Don’t Think Dear reveals how the elite world of dance exerts a terrible physical and mental toll.