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Donn Landee: Keeping an Open Mind, Part Two | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.

Donn Landee: Keeping an Open Mind, Part Two | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.
tapeop.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tapeop.com Daily Mail and Mail on Sunday newspapers.

Oakland , California , United-states , San-diego , Laurel-canyon , Panama , Boston , Massachusetts , Oregon , Phoenix , Arizona , Griffith-observatory

Donn Landee: Keeping an Open Mind | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.

Donn Landee: Keeping an Open Mind | Tape Op Magazine | Longform candid interviews with music producers and audio engineers covering mixing, mastering, recording and music production.
tapeop.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tapeop.com Daily Mail and Mail on Sunday newspapers.

Candy-rock , California , United-states , Springfield , New-york , Santa-monica-high-school , Burbank , San-francisco , London , City-of , United-kingdom , Santa-monica

In the studio with Prince: Susan Rogers on recording: "He was not a lordly type. He was a working man. He had a strong work ethic"

In 1983 a phone call about a job opening in Minneapolis changed Susan Rogers' life forever. Working as Prince’s staff engineer for five years, she’d spend day and night behind the desk and tape machines to ensure that he was able to record his limitless stream of musical ideas…

San-francisco-bay , California , United-states , Minnesota , New-york , Boston , Massachusetts , Hollywood , United-kingdom , Los-angeles , British , George-augspurger

How Prince Got Personal for "How Come U Don't Call Me Anymore'


In 1982, Prince sat down at his studio's acoustic piano to record "How Come U Don't Call Me Anymore," an emotional ballad centering on love that had seemingly come and gone.
The song served as the B-side to the sonically opposite hit "1999," a funky, drum machine-driven party single packed with synth. Despite his reputation for wild songwriting, Prince wanted to world to know that he could slow things down and get personal.
The stripped-down, soulful number not only highlights Prince's piano skills — it's also a potent vocal showcase. Singing mostly in falsetto, Prince weaves a powerful but lonely story of missed communication through only two verses and a bridge. Overdubbing himself into a group of backing vocalists, he echos his own heartbreak throughout the song, gospel-style. The only recording personnel credit listed for the track: "Prince."

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