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CSPAN2 Book Discussion On The Chain January 20, 2015 - Vimarsana News

CSPAN2 Book Discussion On The Chain January 20, 2015

[applause] is there a Nonfiction Author of book you would like to see is featured to max and an email treat us post on our wall. The state of the american meatpacking industry next on. An indepth an indepth look at the production of its most popular product. This is about an hour and a half. Good afternoon. Thank you for coming. It is a major breach of etiquette to have an event at 1215 without serving lunch but i guarantee in about 20 minutes no one will have an appetite, that is for sure. We will lose our appetites for good cause today. My name is chris leonard. Of book called the meat racke...

How Galleries Are Increasingly Funding Museum Shows - Vimarsana News

How Galleries Are Increasingly Funding Museum Shows

Commercial galleries often sponsor major museum shows of their artists, how do these partnerships work and what are the dos and don'ts?

Source: artnet.com
'A Survey Exhibition: Louis Stern Fine Arts Through the Decades' celebrates 30th year of Louis Stern Galleries - Vimarsana News

'A Survey Exhibition: Louis Stern Fine Arts Through the Decades' celebrates 30th year of Louis Stern Galleries

a href= http://www.HERE.com target= _blank Louis Stern Fine Arts /a is presenting, until March 9th, a survey exhibition celebrating its 30th year

New York's February Arts Calendar Offers Antidote To Winter Blues - Vimarsana News

New York's February Arts Calendar Offers Antidote To Winter Blues

Sometimes, it’s having something to look forward to that can pull you through the gloom when spring’s warmth and light still feel like a distant oasis.

Source: forbes.com
Leon Polk Smith: 1940–1961 – The Brooklyn Rail - Vimarsana News

Leon Polk Smith: 1940–1961 – The Brooklyn Rail

What is it like to be “of one’s time” and not? Leon Polk Smith was a prime progenitor of American hard-edged abstraction whose non-objective pedigree as a protégé of the painter and philanthropist Hilla Rebay, and subsequent track record of showing in the Betty Parsons and Egan Gallery early on, puts him squarely in the pocket of post-war American art ascendancy yet his legacy has subsequently remained a relatively independent part of that particular epic.