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and good evening and welcome to a special edition of outfront. i m erin burnett on this sunday. tonight the first contest of the 2024 election is only hours away. republican candidates are out in temperatures well below zero, but they re still fighting to try to get everybody to turn out and vote in iowa. you re looking at live pictures right now of nikki haley s rally on election eve, and she is not alone. ron desantis and vivek ramaswamy also holding events tonight. their supporters are there too, despite the dangerous conditions. and that s because of course the stakes could not be higher. there is so much on the line in this unprecedented election campaign season that we are now finally in the midst of. haley and desantis are desperately trying to close the gap with trump, who just wrapped up his rally in the final hours. and, you know, as i say, it s unprecedented. but there is still some sense of history here. and in past elections, iowa always ends up being abo ....
suggest that a potential defendant cooperate with a prosecutor, just because he might be wrong about his blanket immunity statements. but look. it s very clear evidence wise that voter fraud is not why the election was lost. in fact, the middle part of my book explains in great detail with verifiable proof why trump lost the election. there is a simple explanation. it has nothing to do with fraud whatsoever. and when i m free to talk about it, everybody will understand. it makes perfect sense. president trump is not actively making sure that all conservative voters are in his camp. bottom line. and it s really hard to win an election when you carve out a piece of the electorate and tell them, you are dead to me. which is what former president trump has done many, many times. you have to have a broad coalition to win an election, and president trump has actively narrowed his base of support overtime. okay. it s disproven, it s coming out march 12th, it will probably be ....
the dear colleague letter from speaker johnson. tell us what you know about this agreement. we ve got a lot of numbers here. yes, symone. a lot of numbers. a little bit of a discrepancy and what we re hearing from republican leader, speaker johnson and democratic leaders. you mentioned we have that dear colleague letter that gives us the first sense of these top line members. you know, one point 59 trillion for fiscal year 2024, which republicans say allots 886 billion dollars in defense and 704 billion in non-defense. now, democrats are saying that they ve secured more than 772 billion in non defense spending. so, this is getting a little in the weeds here. but the difference is a side card dam deal that is a 69 billion dollars, that was negotiated as part of that speaker mccarthy, biden deal. and so, that is actually sticking around, explaining that discrepancy. what this does is it allows democrats to show that they ve got more money and it allows speaker johnson t ....
shift was hurt last she was lying face down, a pool of blood under one side. just one tiny clue. a piece of foam rubber. there was a suspect, but he had an alibi, until this revelation. i said, i have something that you need to know. welcome to dateline, it hello, and welcome to dateline. it sometimes take especially to look at a crime scene and spot the one thing that is out of place, the clue that will crack the case. in this story, that thing appeared so inconsequential, that no one even knew what it was, let alone what it meant. it took almost two decades, a team of determined investigators, and a detective with an unusual background find out. here s keith morrison with the night before halloween. it was the night before halloween, october 30th midnight approaching. it happened in one of the middle class suburbs that s roll across the los angeles basin. inside a fast food franchise, closed for the night, a frantic scrambling, running feet, and then ....
cheering and applause. her stories often centre on oppression and brutality. most famously, her 1985 novel, the handmaid s tale, a dystopian vision of america, in which women are enslaved, now an emmy award winning television series. there s an eye in your house. in this episode of this cultural life, the radio a programme, she reveals her formative influences and experiences, and how, even in high school, her creativity was clear. i put on a home economics opera. it was about fabrics. can you remember how it goes? # fabrics need a swim in the suds. # it makes them feel just like new. # plink plink, plink plink. laughter. i want to make sure the mics are recording us. margaret atwood, welcome to this cultural life. thank you very much. happy to be here. on this programme, i ask my guests to choose the most significant influences and experiences that have shaped their own creativity, and your first choice is your parents. yes. tell me about your parents. well, first of a ....