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Hendricks’s calculatedly cool, compositionally and chromatically bold, and fiercely character-driven visions from the 1960s–80s make this the Frick’s most daring contemporary art intervention to date, and its most effective.
The show is the first that the Frick has ever dedicated to a Black artist and it will be one of the last to take place in the Breuer building.
The co-curator of the Frick's first solo exhibition featuring an artist of color talked about the show and the artist’s legacy.
Museums across the U.S. are assembling what looks to be a blockbuster fall 2023 season of art exhibitions. Here are 12 to look forward to.
SERGEI LOZNITSA, the prolific Ukrainian cineaste who has directed no less than twenty-six documentaries and five fictional features, remains too little known by general art cinema audiences, even after having garnered fifty-two significant awards at prominent international film festivals over his twenty-year career. In 2018 Loznitsa’s jet-black political satire Donbass earned him the prize for best director in the “Un Certain Regard” competition at Cannes. Three years later, also at Cannes, his feature-length documentary Babi Yar: Context won the L’Œil d’or as the best documentary o...