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What’s harrowing, of course, is that while much has changed since 1934, the production is keen to point out what hasn’t. A slick and imaginative production.
What’s harrowing, of course, is that while much has changed since 1934, the production is keen to point out what hasn’t. A slick and imaginative production.
PATRICK MARMION: The story does pick up after the interval but, for the first half at least, Nancy Harris and Marc Teitler s adaptation is all dressed up with no place to go.