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now on bbc news, time for click. this week, nick's getting into his trunks to find out what a phone can do for a forest. now i've just completed another survey injust under a minute. we'll find out what lara's thinking as she immerses herself in culture. i know what i'm looking at now, but how do i feel? and less than two years after ai took up art, is it ready for hollywood? spencer's getting his big trailer voice ready. the ai will listen to the audio... deep trailer voice: ..and generate me a new one. jazz music plays. this is the tinpot jazz orchestra. it lasts less than a minute...

this is the tinpot jazz orchestra. it lasts less than a minute, but it is a charming, glitchy, cartoon—like production created using generative ai video tools. now, this means that the characters weren't designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who's a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that w...

another week of shows. we're so grateful. "the beat" with ari melber starts right now. >> hi, nicolle. welcome to the booet. joe biden just sat down for an msnbc exclusive. they just if he in the tapes. what you're seeing just happened. and you will only hear this exclusive on msnbc tonight, including starting this hour when stephanie joins us live with the first excerpt. there is no bigger inview in american government or politics. and we and stephanie have you covered with that coming up. i also have more on the expanding scandals, swirling around clarence thomas and his controvers...

this week, we're revisiting the tech that we've seen used in and around the world of art. and the first question i have is, what is lara thinking right now? do i like it? does it make me feel happy, sad? ammie�*s gone to town to test the newest, oldest cameras we've seen for a while. paul heads to florence to see how tech is revealing a 17th century artwork. and we're on the stage helping musicians get used to what it feels like to get a standing ovation, or a slow clap. how did it do that? the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years o...

the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here — to see how our brains react to what we're seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it's time for a way of quantifying that. so we're just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real tim...