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Movie reviews: 'The Prom' is a feel-good movie that celebrates inclusivity and musicals


THE PROM: 3 STARS
Director Ryan Murphy returns to familiar territory with “The Prom,” a high school musical adapted from a Broadway show now streaming on Netflix. The creator of the pop culture juggernaut “Glee” throws subtlety out the window and ups the ante with an all-star cast to bring the all-singing-all-dancing story of inclusivity to glittery life.
The action begins on the opening night of a Broadway show, a musical about Eleanor Roosevelt starring two self-involved stage icons, Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden).
When terrible reviews force the show to close on opening night, taking their dreams of Tony Award glory with it, they fear they’ll never work again. Joining in on the pity part are Trent (Andrew Rannells), a Juilliard grad waiting on his big break by bartending at Sardi’s restaurant and Angie Dickinson (Nicole Kidman), a “Chicago” chorus girl who has spent twenty years for her chance of playing Roxie.  ....

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The Prom review: Ryan Murphy's musical is glitzy and bizarre


Ratched hit Netflix, his adaptation of the 2018 Broadway musical
The Prom arrives to the platform gussied up in a technicolor version of the same worshipful high school nostalgia as
Glee, and riddled with the same condescension toward “average” people that has defined so much of his output, from
Nip/Tuck to
The Politician. Murphy’s fondness for smashing down the walls surrounding certain American institutions and making them available for all to enjoy has never been particularly nuanced, and he directs
The Prom with the same bluntness. The film’s ultimate admiration of celebrity is only vaguely tolerable because its concurrent message of inclusivity is theoretically admirable but must it be delivered by the likes of a thoroughly exhausting, irredeemably self-satisfied James Corden? ....

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