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'The Prom' checks all the wrong boxes – Inklings News


If you are scrolling through Netflix, looking for a new movie to entertain you for the night, I would keep scrolling if you see “The Prom.” Although Ryan Murphy’s adaptation of the stage show version by Chad Beguelin and Bob Martin includes important messages about intolerance and brings out the Broadway glamor that many have missed out on this year, Murphy’s attempt to blend these two components together has, unfortunately, been unsuccessful.
The curtain opens with glitzy actress Dee Dee Allen (Meryl Streep) and campy, openly gay actor Barry Glickman (James Corden) on the opening night of the fictional Broadway musical “Eleanor!”: an Eleanor Roosevelt musical. A scathing press review that characterizes Dee Dee and Barry as aging narcissists, leads the Broadway stars, along with long-time chorus girl Angie Dickinson (Nicole Kidman) and Julliard graduate Trent Oliver (Andrew Rannells), to take on a cause to redeem themselves.

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The Prom | Movies | San Luis Obispo | New Times San Luis Obispo

The Prom | Movies | San Luis Obispo | New Times San Luis Obispo
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'The Prom' Is Breezy, Peppy and Tells Us a Gloomy Story Doesn't Have to Be Dreary Itself


'The Prom' Is Breezy, Peppy and Tells Us a Gloomy Story Doesn't Have to Be Dreary Itself
The Netflix film is impressive when it tackles and resolves individual stories. But it occasionally falters at processing the big picture.
A still from 'Prom'.
The American musical
The Prom, streaming on Netflix, dances around a simple question: Will Edgewater High School, in Indiana, hold the annual prom?
The head of the Parent-Teacher Association, Mrs. Greene (Kerry Washington), has cancelled it, because Emma Nolan (Jo Ellen Pellman), a high school senior, wanted to attend it with her girlfriend, a Black girl named Alyssa (Ariana DeBose), the daughter of the PTA head. Edgewater is a small conservative town, and same-sex dates flout communal values.

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'The Prom' is saccharine, yet delightful, Broadway homage


‘The Prom’ is saccharine, yet delightful, Broadway homage
Netflix/Courtesy
Grade: 3.5/5.0
Though a Ryan Murphy-directed movie musical wasn’t the year-end spectacle most people were hoping for, “The Prom” shouldn’t be discounted just yet: “The Prom” is whimsical in every sense of the word. From its jewel-toned, bold color schemes to the pure notion that small-town homophobia can be solved with a song and a few Broadway stars, the film’s sheer optimism cannot be denied. 
Following the failure of their latest show, Broadway veterans Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden) are looking for any new project that can revitalize their reputations. Enter Emma Nolan (Jo Ellen Pellman), a lesbian from Indiana whose prom was canceled because she wanted to bring her girlfriend Alyssa (Ariana DeBose). 

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'The Prom' review: Ryan Murphy's forgettable musical romp


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It doesn’t bear repeating how awful 2020 has been for the world, including for Broadway and high schoolers. For Broadway, all shows in New York City have been cancelled through May 30, 2021. A recent Broadway musical,
The Prom, ended its run in 2019, and a national tour that was planned for 2021 is postponed. For high schoolers, actual proms were cancelled, and it might be awhile until teenagers can safely go to a school dance again.
Ryan Murphy’s adaptation of the 2018 musical seems like it would be the next best thing to experience
The Prom these days. Considering how much I miss being able to go to Broadway shows, it says something that this film didn’t make me miss it more. With all of its glitz, glam and star power,

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The Meaning Behind The Sequin-Adorned Costumes Of The Prom


The Meaning Behind The Sequin-Adorned Costumes Of The Prom
Refinery29
14/12/2020
below.
“Learn better
faaah-shion…” Broadway diva Dee Dee Allen (played by Meryl Streep) condescendingly (yet deliciously) croons, during the opening reprise of “Changing Lives” in Ryan Murphy’s Netflix movie rendition of the Tony-nominated musical
The Prom. Appropriately, she’s spectacularly clad in a fully sequinned, amethyst purple caped pantsuit.
Her showbiz cohorts are equally-well dressed: leading man Barry Glickman (James Corden) in a sparkling rhinestone-embellished aqua blue tux, showgirl Angie Dickinson (Nicole Kidman) in an emerald green sequin mini-wrap dress, and ‘90s sitcom has-been Trent Oliver (Andrew Rannells) in a raspberry Sardi’s bartender tuxedo. Thus begins Murphy’s blowout of catchy show tunes, slick choreography, and a fashion explosion of vibrant colours and sparkle, created by

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"Another Round" and "The Prom," Reviewed


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The latest film from the Danish director Thomas Vinterberg, “Another Round,” marks the second occasion on which he has teamed up with his countryman Mads Mikkelsen. In “The Hunt” (2012), Mikkelsen played a kindergarten teacher who is wrongly accused of being a pedophile. In the new movie, he plays Martin, a high-school history teacher who is accused, correctly, of being an alcoholic. Note that both protagonists (it’s hard to call them heroes) are in positions of civic responsibility, from which they slide: our two-bit modern answer to the kings and overlords whose precipitate falls were formerly the stuff of tragedy. In each case, the result is at once compelling and difficult to watch. Martin, for example, is discovered, in the early morning, sleeping outside a neighbor’s house, with his keys in his hand and a livid cut on his brow. He is retrieved by his son Jonas (Magnus Sjørup), and what’s shocking is how unshocked the boy looks; this must have happened before. Later, at dinner, Martin tries to explain. “Well, I got a little drunk yesterday,” he says. “But, Dad,” Jonas replies, “you’ve been drunk for a while, haven’t you?”

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Netflix's 'The Prom' from Ryan Murphy is glittery, loud and unfortunately unsubtle

Netflix's 'The Prom' from Ryan Murphy is glittery, loud and unfortunately unsubtle
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The Prom movie review: Ryan Murphy's inconsistent glitzy musical

The Prom movie review: Ryan Murphy's inconsistent glitzy musical
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Movie reviews: 'The Prom' is a feel-good movie that celebrates inclusivity and musicals


THE PROM: 3 STARS
Director Ryan Murphy returns to familiar territory with “The Prom,” a high school musical adapted from a Broadway show now streaming on Netflix. The creator of the pop culture juggernaut “Glee” throws subtlety out the window and ups the ante with an all-star cast to bring the all-singing-all-dancing story of inclusivity to glittery life.
The action begins on the opening night of a Broadway show, a musical about Eleanor Roosevelt starring two self-involved stage icons, Dee Dee Allen (Meryl Streep) and Barry Glickman (James Corden).
When terrible reviews force the show to close on opening night, taking their dreams of Tony Award glory with it, they fear they’ll never work again. Joining in on the pity part are Trent (Andrew Rannells), a Juilliard grad waiting on his big break by bartending at Sardi’s restaurant and Angie Dickinson (Nicole Kidman), a “Chicago” chorus girl who has spent twenty years for her chance of playing Roxie. 

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