Meadows Museum announces appointment of two curatorial fellows
Clarisse Fava-Piz. Photo: Courtesy of Clarisse Fava-Piz.
DALLAS, TX
.- Today the Meadows Museum, SMU, announced its 2021 curatorial fellowship appointments. Clarisse Fava-Piz, who will begin her term with a doctorate in art history from the University of Pittsburgh, specializes in 19th-century European art and will serve as the Mellon Curatorial Fellow for a period of two years. Miranda Saylor, a doctoral candidate at UCLA who has focused her research on early modern Spain, will join the institution for a one-year term as the Center for Spain in America (CSA) Curatorial Fellow. The two scholars begin their terms in September 2021.
Spain – Visit by Jean-Yves Le Drian (Madrid, 9 Jul 2021)
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France to launch flagship arts residency programme in America
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Villa Albertine: A new cultural institution reinvents artists residencies across the United States
Villa Albertine headquarters. Photo: © John Bartelstone.
PARIS
.- Welcoming more than 60 artists and thinkers for its inaugural season, this new French cultural institution in the U.S. is reinventing the traditional French residency model seen in the Villa Medici by hosting residents in 10 major American cities and exploring intersections between culture and the urgent questions of our time.
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The French Ministry for Europe and Foreign Affairs has announced the creation of Villa Albertine in the United States the fourth international French Villa. Three hundred and fifty years ago, France created the first artists residency of modern times, The French Academy in Rome now known as Villa Medici , a global center for artistic and intellectual residencies that inspired the creation of the American Academies and many other residencies throughout the world.
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An Airstream Bambi trailer, which was designed in 1960 and became a fixture on American highways, at the Museum of Modern Art in Manhattan, June 29, 2021. The MoMA exhibit Automania, drawn almost exclusively from the museums own collection, walks a painted white line between critique and celebration. Jeenah Moon/The New York Times.
by Lawrence Ulrich
(NYT NEWS SERVICE)
.- For many Americans, cars became a lifeline and refuge during the pandemic, even as newly sparkling air over locked-down cities highlighted their darker side. Soul-searching over commuting and climate change was balanced by hope that cars might clean up their act via electricity, and allow new generations to fall for their beauty and ingenuity. That wrench-tight tension is at the heart of Automania, an exhibition opening at the Museum of Modern Art in Manhattan on Sunday July Fourth, a holiday that has come to symbolize motorized freedom and parade-queen convertibl