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A Plant By Any Other Name

A Plant By Any Other Name
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A Plant By Any Other Name

A Plant By Any Other Name
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Sandip-roy , சண்டீப்-ராய் ,

Kishore Kumar refused to accept fees from Satyajit Ray, loaned him money during Pather Panchali


Ayushmann Khurrana pays tribute to legendary Kishore Kumar
When it comes to music, Indian music lovers can never forget the contribution of the legendary singer Kishore Kumar whose mellifluous voice breathed life into songs. Kishore Da, as he is popularly called, was not just a singer, but was also a lyricist, actor, scriptwriter, producer and director. Not only people from his era but his evergreen soulful films and songs are loved by generations even 34 years after his death.
Kishore Kumar (L) and Satyajit RayWikimedia Commons
Born on August 4, 1929, Kishore Kumar enjoyed a long four-decade career in the music industry. There are innumerable stories about his work and his fun-filled banters that immortalises Kishore Kumar. In one such story, we came to know that the Oscar-winning director Satyajit Ray had approached Kishore Kumar for a song for one of his Bengali films titled Charulata (1964). Though Kishore Da was said to be very particular about his fees, he refused to accept any remuneration from Satyajit Ray after recording the song. It is said that when Ray asked him his fees, the late singer just touched his feet and didn t accept any fees.

Satyajit-ray , Sandip-ray , Pather-panchali , Soumitra-chatterjee , Satyajit-ray-wikimedia-commons , Rabindra-sangeet , Kishore-kumar , Ayushmann-khurrana , Rabindranath-tagore , Ami-chini-go , Pather-panchali

A digitisation project reveals Satyajit Ray's brilliant illustrations for Goopy Gyne Bagha Byne

A digitisation project reveals Satyajit Ray's brilliant illustrations for Goopy Gyne Bagha Byne
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Website mirrors making of Satyajit Ray's Goopi Gyne Bagha Byne


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Website mirrors making of Satyajit Ray’s Goopi Gyne Bagha Byne
The site is presenting the ‘kheror khata’ in which the director kept detailed notes covering all aspects of the film, from costume sketches to musical notes and dialogues
Between the covers of two traditional red cloth-bound notebooks is enclosed the creative process that resulted in one of Satyajit Ray’s landmark films,
Goopi Gyne Bagha Byne.
In Ray’s centenary year, a bilingual website, exploreray.org, is presenting the
kheror khata in which he kept detailed notes covering all aspects of the film, from costume sketches to musical notes and dialogues. “The first khata has 733 pages of the story line, sketches of the characters and elements of the sets, the shooting script and the story board, all of which he developed over time. The second book has about 200 pages on the dance of the ghosts and post-production work,” said Ayananshu Banerjee, head, projects and digital transformation, TCG-Crest. 

Sandip-ray , Upendrakishore-roychowdhury , Bagha-byne , Centre-for-new-media , Cray-society , New-media , Goopi-bagha-phire-elo , Goopi-gyne-bagha-byne , Patha-bhavan , சண்டீப்-ராய் , பாகா-பைன் , மையம்-க்கு-புதியது-மீடியா

Forever modern: Satyajit Ray's classic stories in Netflix's 'Ray' - Leisure News


UPDATED: July 2, 2021 21:52 IST
(From top) Actors Kay Kay Menon; Ali Fazal; Manoj Bajpayee; Harshvardhan Kapoor; and Giriraj Rao as they appear in the TV Series Ray
The four-hour length shorts that make up the Netflix anthology film Ray all differ in tone and treatment. They adapt and make contemporary the Bengali fiction of Satyajit Ray, but the results, like the responses to the film, are mixed. In Srijit Mukherji’s Bahurupiya, a revenge-seeking make-up artiste beds a prostitute with a mask of his unattainable lover on her face, while in Vasan Bala’s Spotlight, a Bollywood heartthrob finds himself in a “Kafkaesque” nightmare. Though there is much Satyajit Ray can tell us about the times in which we live, one thinks, while watching Ray, if it’s a good idea at all to give his timeless writing a contemporary spin.

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Why is there such a fuss over Ray anthology in Netflix in Ray's own city?


The purists, who have grown up reading Ray’s short stories are calling it a waste of time, but the Mukherjee loyalists are ecstatic about what they feel are dark, intriguing masterpieces which comply with idiom of filmmaking on OTT platforms. Sandip Ray, his son and a senior filmmaker himself, has shied away from passing a judgement on the anthology - admitting he is apprehensive as he doesn’t know what to expect from the films.
It’s not easy to be in Ray Jr’s shoes. The venture by Netflix India has been to pay a tribute to Ray on his ongoing 100th birth anniversary year and once he has agreed on a professional agreement over filming rights of the stories, there can be no interference on the creative process. Ray Jr has admitted in an interview that he wasn’t consulted on the script, while the jury is still out if the short films have missed out on the soul of Ray’s stories altogether.

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Sandip says after giving consent for Satyajit Ray anthology stories, he left it for directors

Sandip says after giving consent for Satyajit Ray anthology stories, he left it for directors
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"I was not involved at all; I was not consulted and I was not shown the final products" – Sandeep Ray reacts to underwhelming reviews of Satyajit Ray anthology on Netflix : Bollywood News

“I was not involved at all; I was not consulted and I was not shown the final products” – Sandeep Ray reacts to underwhelming reviews of Satyajit Ray anthology on Netflix Bollywood News: Latest Bollywood News, Bollywood News Today, Bollywood Celebrity News, Breaking News, Celeb News, Celebrities News, Bollywood News Hindi, Hindi Bollywood News at Bollywood Hungama.com.

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Exhibition on Satyajit Ray as a children's magazine illustrator

Exhibition on Satyajit Ray as a children's magazine illustrator
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