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How Basquiat and Street Artists Left Their Mark on Hip-Hop Culture


Julianne McShane (
The New York Times, June 24, 2021) writes about the exhibition “Writing the Future: Basquiat and the Hip-Hop Generation.” She explains, “A dozen artists, most of them Black or Latino, are the subjects of an exhibition that aims to correct oversights in art history.”
By 1984, 24-year-old Jean-Michel Basquiat had already broken into the mainstream art world. But the onetime street artist still couldn’t shake the legacy of his teenage years spent writing graffiti on the streets of New York City mostly under the moniker of “SAMO,” which he often used to critique the commodification of art.
“There was really no ambition in it at all,” Basquiat told the interviewer Marc Miller that year in an episode of “ART/new york,” a video series on contemporary art. “It was stuff from a young mind, you know what I mean?” But the artist was not alone in his teenage pursuits: He was part of a constellation of young graffiti artists who used ....

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Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
by Antonia Gabassi
BERLIN
.- There’s an interesting story behind the curation of the latest exhibition at the Galerie Kornfeld, in the resurgent City West region of the German capital. The show is called ‘The Day I Never Met You’, and it is a billed as being a ‘conversation’ between the contemporary British artist Alexander Adams, and the late Georgian painter Natela Iankoshvili, whose estate is represented by the gallery. On first viewing one might assume that the painters were chosen because of their differences, rather than their similarities. Adams has renounced colour, painting in black, white and many shades of grey. Iankoshvili – who died in 2007 – loved applying broad brush-stokes of vibrant greens, yellows and blues on black-primed canvases. But when you look closely into the art and the artists, the similarities abound. Both apply themselves to landscapes and . More ....

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Cherry Grove, where gay New Yorkers became 'their real selves'


Cherry Grove, where gay New Yorkers became their real selves
Cherry Grove cottages were an epicenter of gay and lesbian life on the island in the 1950s. They also had a tradition of bearing campy names — like this one, called “Hot House.” Others included “No Man’s Land” and “Delta Phelta Guy.” Cherry Grove Archives Collection via The New York Times.
by Julianne McShane
(NYT NEWS SERVICE)
.- In the decades before the Stonewall uprising in 1969, an LGBTQ community took shape among New Yorkers on a remote Fire Island hamlet known as Cherry Grove.
There, visitors spent summer weekends sunbathing and partying, forming one of the country’s first gay beach towns when being openly gay could result in ostracism or imprisonment. Only in 1980 did New York state eliminate most of its laws against sodomy. ....

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Artdaily - The First Art Newspaper on the Net

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