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Old Men and Slashers: My Personal Journey With Horror (Swimming Upstream PART 6)

Old Men and Slashers: My Personal Journey With Horror (Swimming Upstream PART 6)
dreadcentral.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dreadcentral.com Daily Mail and Mail on Sunday newspapers.

Republic Of , New York , United States , Craig Wasson , Jack Pierce , Stephen King , Adrienne King , Betsy Palmer , Rick Baker , Omar Norris , Herschel Gordon Lewis , Ronald Reagan , Seans Cunningham , Debra Hill , Dario Argento Suspiria , Jamie Lee Curtis , Jason Vorhees , Elephant Man , Roger Ebert , Fred Astaire , Michaelj Fox , Patricia Neal , Straub Eva Galli , Wes Craven , Rob Bottin , Pamela Vorhees ,

Horror in Print: My Personal Journey With Horror (Swimming Upstream PART 5)


Horror in Print: My Personal Journey With Horror (Swimming Upstream PART 5)
Horror in Print: My Personal Journey With Horror (Swimming Upstream PART 5) by B Harrison Smith
By
B Harrison Smith
Editor’s Note: B Harrison Smith is well known to horror fans as the writer/director of The Fields, Death House, and Camp Dread. He also directed The Special, released in 2020.
My first “chapter book” was
Charlotte’s Web which, in some ways, could be argued contains horror elements. Wilbur the pig lives in perpetual fear of death from the people that feed him and house him. His only true friend, who was proud of her blood-sucking abilities, dies at the end. An egg sac hatches releasing hundreds of blood-suckers into the air with three remaining on a death farm with the reprieved pig. ....

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Late Night in the Reagan Era: Swimming Upstream on A Personal Horror Journey (PART 4)


Late Night in the Reagan Era: Swimming Upstream on A Personal Horror Journey (PART 4)
B Harrison Smith discussed late-night horror in the Reagan Era!
By
B Harrison Smith
Editor’s Note: B Harrison Smith is well known to horror fans as the writer/director of The Fields, Death House, and Camp Dread. He also directed The Special, released in 2020.
HBO where I got my fix of blood, boobs, babes and horror.
Summer late nights, Christmas breaks from school all allowed you to watch after hours. The parents went to bed and you got to tune into the movies you missed in theaters, due to the “R” rating, limited release or maybe you just didn’t have the guts to watch on the big screen. ....

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Horror's Summer of '79; "Swimming Upstream: A Personal Horror Journey" (PART 3)


Starlog.
Starlog focused more toward the sci-fi side but often they would overlap.
I ran into our local mall’s
Waldenbooks to grab the new issue of
Fangoria sporting a cover and center story to
Prophecy, the environmental monster movie (NOT the series of warlock movies with Christopher Walken that would come years later).
Monster movie. That’s all I needed to hear. Its poster glared back at me in glorious double-paged insert color spread from my parents’
Rolling Stone magazine.
Some kind of mutated animal. It was female and she was pissed. Man defiled her world and it was payback time, bitches. I knew I had to see it and I got my friends in the neighborhood all worked up with hype. Back then there was no Internet and DVD extras to bring you every spoiling piece of minutia as well as “trailer reviews” to analyze with their picking fly shit out of pepper “analyses.” No advanced “spoilers.” No under-sexed dorks hating on somethin ....

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Kid's Horror Pushes Upstream: How ABBOTT AND COSTELLO & MAD MONSTER PARTY Made An Impact (PART 2)


That’s a question that goes about my Twitter timeline pretty often.
I was four or five. That “horror” movie was most likely
Abbott and Costello Meet Frankenstein.
It could’ve been something else but it’s the film that comes to mind the fastest, as I can still remember the images of Dracula and the Wolf Man fighting in the lab and Glenn Strange’s Monster throwing that doctor through the glass.
Is
ACMF(That’s the trend right? Reducing titles to acronyms like
F13th, FVJ, NOES, NOLD) a true horror movie? I have to argue yes because there are some genuine horror moments in it. The film is also a eulogy to a time that was just about dead in Hollywood. ....

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