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Designing Women III: MOTHER Opens at Egg Collective's Tribeca Gallery

Designing Women III: MOTHER Opens at Egg Collective’s Tribeca Gallery
May 4, 2021
According to the National Women’s Law Center, more than 2.3 million women have left the American labor force since the beginning of the COVID-19 pandemic in March, 2020. For Hillary Petrie, partner with Stephanie Beamer and Crystal Ellis in New York’s Egg Collective, this data is more than just an “incredible loss in creative capital.” It points to the “motherhood penalty,” or the sociological term for the price women pay in their professional careers when they also serve as parents and caregivers. “Careers are too often side-burnered or abandoned,” says Beamer. ....

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Ray Harryhausen's killer skeletons and Georg Baselitz's gnarled hands – the week in art | Art

Christ in the House of Martha and Mary, 1654-56, by Johannes Vermeer
You could pass this painting without noticing it is by one of the most popular artists in history, Vermeer â for it is so different from his famous enigmatic scenes of a servant pouring milk or a girl turning her face towards us. But look again. This may seem a more conventional religious scene, yet the story of Christ visiting an ordinary home, where Mary sat to listen to him while Martha got on with her chores, resonates tellingly with his more familiar realist scenes. Maybe all his women are Marys or Marthas. Closing in on this scene, the depiction of Martha holding a basket of bread is pure Vermeer: take away the holy visitor and she could be in one of his Dutch interiors. Yet the inwardness of Mary, too, is of a piece with his absorbed women reading letters or playing the virginals. This may not be Vermeerâs most hypnotic work, but its Biblical message may be the key to all his art: the Vermeer ....

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In America, museum-quality Gee's Bend quilts go on sale online for the first time

The quilters of Gee s Bend, a remote Alabama community, are particularly well-known in the US for the colourful quilts that they ve been making for over a century, in a tradition passed down from generation to generation. Photo: AFP
These quilting masterpieces have previously been displayed in the Metropolitan Museum of Art and the Brooklyn Museum, but they could soon be coming to your home interior.
The creations of the African-American women quilters of Gee s Bend, Alabama, are now available to buy online for the first time on the Etsy e-commerce platform.
You ve probably already seen these kinds of quilts in US movies and TV shows, without necessarily knowing much about what they are or why they come from. Quilts are essentially bedspreads often made from old dresses and work clothes, as well as feed sacks and fabric scraps. ....

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US National Gallery of Art's acquisition of 40 works by Black Southern artists hailed as a 'milestone' moment

Blocks and Strips (2002) by Mary Lee Bendolph of the Gee s Bend community
© 2017 Mary Lee Bendolph / Artists Rights Society (ARS), New York
The National Gallery of Art in Washington DC (NGA) has acquired 40 works by 21 African American artists from the non-profit organisation Souls Grown Deep Foundation, a move described as a “milestone” by the foundation president Maxwell Anderson.
Souls Grown Deep Foundation is dedicated to documenting and promoting the work of African American artists from the US South. Anderson says that the purchase of numerous works by Black painters, quilters and sculptors is significant “because the NGA is not an encyclopaedic museum given to making acquisitions of multiple works at one time, tending more often to acquire single significant objects made at the apogee of a noted artist s career”. ....

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Cosmic Patches And Quilts Five Must-See Shows - Revd Jonathan Evans

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‘Here, as in Heaven’ is the title of Ndidi Emefiele’s current exhibition, a body of work representing the artist’s philosophical attempt to understand the tragic death of her sister.
These paintings represent a significant shift from the playful conjuring with the complexity of contemporary experience and female identity that characterised her earlier work. They are works that carry the vestiges of pain from loss of relationship with her sister as they seek to question life, the afterlife, the passage of time, and being. Like so many artists before her, Emefiele is engaging with the intangible mysteries of existence in ways that explore the possibility of the beyond. ....

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