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at the 0livier or somewhere, a big space. it must change... it changes all the time. ..the performance. it changes all the time. because if you have a good night, it's completely fatal to think, the next night, think, "oh, i must do "it like that." no, no, no, it never works like that. you've got to rethink it, ithink. when we did antony and cleopatra at the national, we did 100 performances, and i knew that there was a laugh in a line that cleopatra said, and i tried, for 99 performances... ..to get the laugh. and on the 100th, i got the laugh. i'm going to come back to antony and cleopatra. you'd already played lady macbeth, hadn't you, i think 10, 12 years earlier in... africa. west africa. ..a tour of west african countries? yes. we did... where'd you go? ghana, sierra leone... ? ghana, sierra leone and nigeria. and we were the very, very first lot to go. and that was british council?

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