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Breakfast

at the 0livier or somewhere, a big space. it must change... it changes all the time. ..the performance. it changes all the time. because if you have a good night, it's completely fatal to think, the next night, think, "oh, i must do "it like that." no, no, no, it never works like that. you've got to rethink it, ithink. when we did antony and cleopatra at the national, we did 100 performances, and i knew that there was a laugh in a line that cleopatra said, and i tried, for 99 performances... ..to get the laugh. and on the 100th, i got the laugh. i'm going to come back to antony and cleopatra. you'd already played lady macbeth, hadn't you, i think 10, 12 years earlier in... africa. west africa. ..a tour of west african countries? yes. we did... where'd you go? ghana, sierra leone... ? ghana, sierra leone and nigeria. and we were the very, very first lot to go. and that was british council?

Performance , Space , Somewhere , Twitch , Yourface , 0livier , 0 , Laugh , Performances , Antony-and-cleopatra , Ithink , 100

This Cultural Life

cultural life: tim minchin. applause cultural life: tim minchin. tim minchin, the cabaret star who wrote matilda the musical. he grew up in western australia, started writing songs in his teens and made his name as a musical comedy performer at the 2005 edinburgh festival. mrtim minchin! after a series of live solo albums, tim was commissioned to write a stage adaptation of the roald dahl book, matilda. the show went on to win 0livier and tony awards and has now been turned into a film. in this episode of this cultural life, the radio 4 podcast, he reveals his formative influences and experiences and how, despite fame and acclaim, bad reviews still hurt. no, i'm not good at taking criticism. you still take it personally? 0h, hugely, yeah.

Tim-minchin , Life , Teens , Cabaret-star , Writing-songs , Name , Western-australia , Matilda-the-musical , Show , Comedy , Stage-adaptation , Roald-dahl

Amol Rajan Interviews

awful. it sounded very vainglorious and that i own is the part. and, of course, tony apparently saw this, somebody pointed it out to him and he got very upset, rightly, because it was geared, steered in a certain way and it was very unpleasant.— in a certain way and it was very unpleasant. sony is in tony hopkins. _ very unpleasant. sony is in tony hopkins. tony i very unpleasant. sony is in l tony hopkins. tony hopkins. very unpleasant. sony is in i tony hopkins. tony hopkins. and his then wife, _ tony hopkins. tony hopkins. and his then wife, i _ tony hopkins. tony hopkins. and his then wife, i that _ tony hopkins. tony hopkins. and his then wife, i that it's _ tony hopkins. tony hopkins. and his then wife, i that it's got i his then wife, i that it's got nothing to do with me, i was lying asleep and they ring me and they bushwhacked you like they do, i said yes, i was give us, well, iwas, it was they do, i said yes, i was give us, well, i was, it was simple, but i don't have any ownership on the role. hannibal has been played by a lot of people sense, it's a bit like hamlet. you can't only role in saying hamlet, imb king lear. no, if you have seen schofield play king lear, 0livier�*s leah, there are 70 versions of king lear around and they are all equally good, you know. who

Course , S-oken-way , Part , Somebody , Anthony-hopkins , Wife , Sony , Nothing , King-lear , People , Lot , Role

Amol Rajan Interviews

it's so easy to establish those channels. a5 it's so easy to establish those channels. as it was for me. cox took full advantage of the opportunities offered to him, quickly becoming a highly successful theatre actor playing some the most coveted roles including titus andronicus and king lear. he won an 0livier award for his role in retin—a skull, one of many awards he received for his stage and screen work as a tv and then film career followed. succession came late but the role has been among the best of his career and he dominated the screen. you seem to have had a grudging affection for this chap, logan right. i grudging affection for this chap, logan right.- grudging affection for this chap, logan right. i lived with him for so _ chap, logan right. i lived with him for so long, _ chap, logan right. i lived with him for so long, he _ chap, logan right. i lived with him for so long, he was - chap, logan right. i lived with him for so long, he was a - him for so long, he was a lovely man, a man who's been through a lot of trauma as a child. and we saw these little incidents, when he swims in the very first second series i think if you see the scars on his back and it's never explained. that's the strength. he never ever explain. with;

Roles , Brian-cox , A5 , Channels , Theatre-actor , Opportunities , Advantage , King-lear , Titus-andronicus , One , Succession , Awards

Amol Rajan Interviews

but why has it happened? well, it's because we've ignored a certain amount of the populace. we've actually cut off all the channels that were possible. it's depressing. i mean, it's depressing in the sense that the channels are not there. and it's so easy to establish those channels, as it was for me. cox took full advantage of the opportunities offered to him, quickly becoming a highly successful theatre actor, playing some of the most coveted roles, including titus andronicus and king lear. he won an 0livier award for his role in rat in the skull, one of many awards he received for his stage and screen work as a tv and then film career followed. succession came late, but the role has been among the best of his career, and he dominated the screen. you seem to have a kind of grudging affection for this chap, logan roy. well, i lived with them for so long, i kind of understood the man. i mean, he was a very lonely man. he's a man who's been through a lot of trauma as a child.

Sense-of-purpose , Amount , Channels , Populace , Brian-cox , Roles , Some , Theatre-actor , Opportunities , Advantage , Awards , Role

BBC News

giving jordan pickford no chance at all. but england equalised early in the second half, harry kane scoring from the penalty spot. his kick making him his country's joint record goal—scorer, but anything harry could do, 0livier could do better. giroud's header now means he's his country's most prolific striker. england did have a chance to level things with another penalty. this time, the captain could not convert. as is so often the case, england expects but in the end mostly disappoints. for france, it could be a very different story! tim allman, bbc news. let's hear from some of the people who were lucky enough to watch morocco's historic victory inside the stadium. 0ur correspondent in qatar, shaima khalil, has been speaking to them. there are many ways to describe the atmosphere here — ecstatic, joyful, shocked, euphoric. but one word that would do justice to morocco's

Chance , Country , Central-southern-england , Half , Goal-scorer , Penalty-spot , Anything , Record , Kick , Jordan-pickford , Harry-kane , 0livier

Sportsday

across the forward line from the french. , �* , ,., ~ across the forward line from the french. , �* , ., ., french. yes, we've spoken a lot about mbappe. _ french. yes, we've spoken a lot about mbappe, many _ french. yes, we've spoken a lot about mbappe, many call - french. yes, we've spoken a lot about mbappe, many call him i french. yes, we've spoken a lot i about mbappe, many call him the french. yes, we've spoken a lot - about mbappe, many call him the best player in the world at the moment but the guy next to him, 0livier is a roux, as the all—time men's leading goal—scorer. —— 0livier giroud. then you have the very impressive 0usmane dembele, and the key prawn that gareth southgate pointed out as well in griezmann. he normally plays further forward for his club and he is playing in centre midfield now, gareth southgate said to the goals ran scores in this competition and he is the key person, he is making everything happen and it's going a bit under the radar. i spoke to kyle walker earlier this week and he said to me it is not england versus mbappe and

World , Danger-man-mbappe , Lot , French , Call , Guy , Line , Men , Player , Roux , 0livier , 0

BBC News

magistrate's court, wearing jogging pants, trainers and a black athletic t—shirt, his hands were handcuffed throughout the proceedings, he was led in by police officers, he spoke to confirm his name and address and age. he is charged with assisting an offender by driving an offender away from the scene of a crime and disposing of clothing. he was told he will next appear in court at the end of this month. then, thomas cashman was led into court, his address was given as a west derby in liverpool, about two miles away from their home of livio, who was shot and died six weeks ago in her house in the city. thomas cashman stood looking at the ground throughout the proceedings and did not raise his head. in the public gallery were cheryl corbel and john pratt, 0livier�*s parents, both of them stared at the men in the dock throughout the proceedings and

Magistrate-s-court , Name , Proceedings , Hands , Liverpool , Address , Police-officers , Jogging-pants , Magistrates , Led , Trainers , Athletic

Talking Movies

brando or 0livier. 0livier wouldn't have been good for that part. but brando, he took certain chances with a certain mouthpiece and so forth, but it worked because he could bring an inner sense of intensity and truth from within himself, you know? within quotation marks for the part, you know? although he read his lines! he put up billboards, he put lines here, he'd read 'em, you know? so, he had his own way of working. when you say he read his lines, he relied on cue cards? was that it? absolutely. not all the time but, like, the scene with, i guess, pacino in the gardens... ..in my lifetime not to be careless. he'd lean back and look up... women and children can be careless but not men. he had his lines written in a tree. 0r down here, you know?

Part , Marlon-brando , Sense , Mouthpiece , Intensity , Chances , 0livier-wouldn-t , Truth , 0livier , 0 , Lines , Quotation-marks

The Media Show

want him, but coppola prevailed and his performance ended up defining the film. i have a sentimental weakness for our children and i spoil them, as you can see. they talk when they should listen. he was 47 years old when shooting began, at a low point of his career. he did a screen test for the part. he put paper handkerchiefs in his mouth to create the voice he wanted. what is the interest for my family? during filming, he wore this dental plumper, now an exhibit at the museum of the moving image, to make him sound and look different. how did things ever get so far? i don't know. i mean, coppola said he wanted — he'd get for — either for the part either brando or 0livier. 0livier wouldn't have been good for that part. but brando, he took certain chances with a certain mouthpiece and so forth, but it worked because he could bring an inner sense of intensity and truth from within himself, you know?

Gangster-film , Francis-ford-coppola , Children , Shooting , Performance , Weakness , 47 , Family , Part , Career , Point , Filming