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How art historians found a lost painting by a Baroque master

Curators at England's Royal Collection studied archives and painting style in order to rightly attribute the depiction of “Susanna and the Elders."

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'Breakthrough' Attribution For Artemisia Gentileschi Painting Stored At England's Hampton Court

'Breakthrough' Attribution For Artemisia Gentileschi Painting Stored At England's Hampton Court
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Eileen Cooper – interview: 'I'd always avoided looking back … but it's been fascinating'

As an exhibition of her previously unseen early works on paper opens at Huxley-Parlour in London, Eileen Cooper talks about the importance of drawing, the women’s movement, and the relevance of these particular intimate images to the development of her style – and about looking back as she turns 70

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HerStory: Femmes fatales get the rap, but hommes are deadlier

It is the fear of female sexuality that may have led to the caricaturing of the powerful woman as a femme fatale, while it is clear with examples all around us that the evil that men are capable of is far more lethal

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Susanna in the arts and through the ages – DW – 10/30/2022

The biblical Susanna is being featured as the subject of an exhibition of artworks in Cologne that highlight feminist issues — including victim blaming.

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Art - Susanna in the arts and through the ages

The biblical Susanna is being featured as the subject of an exhibition of artworks in Cologne that highlight feminist issues including victim blaming

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How to Look at Artemisia Gentileschi's "Susanna and the Elders"


Italian Renaissance artist Artemisia Gentileschi's "Susanna and the Elders" (1610) is among her very first paintings, signed and dated when she was only 17 years old. While the Biblical story of the two old creeps trying to scare a bathing Susanna into sexual favors was a common theme during the Renaissance, Gentileschi's spin on the work is unique.
There's a real sense of intrusion in the work. Other artists of the time took the story as a way to depict a comely young woman, but Gentileschi was interested in the psychological element of the tale. Susanna looks genuinely horrified by the old men invading her privacy. Her body is twisted into an uncomfortable position, not fixed into any sort of eroticized position for the viewer to get horny over. We are meant to identify with

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