And it really fascinating to actually create an environment where the audience is inside the sound so often i miss a little way they do right to a lot of normal stage works or chamber where sort of pieces but is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of james joyce s ulysses the monologue of molly bloom this very life affirming monologue tell us what s going on there you know also in terms of this this spatial concept well about here written 28 separate pieces it was a call arched according to a timeline so you ve got 20 different positions in space and you ve got musicians moving from one position to to another so you re really working with density and the sound is really moving diagonals within the architectural situation so it s coming from behind me from the side from a bar for example so you really are within the sound the sound is moving through you and beyond you and i think it s very fascinating to be compelling this new
Find it really fascinating to actually create an environment where the audience is inside the sound so often i miss a little wave or do write a lot of normal stage works or chamber where it s all sort of pieces that is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance which are a show sort of that piece that we just heard yes was inspired by the famous final chapter of james joyce s ulysses the monologue of molly bloom this very life affirming monologue tell us what s going on there you know also in terms of this this spatial concept well have actually written 28 separate pieces of color coding to a timeline so you ve got to about 20 different positions in space and you ve got musicians moving from one position to to another so you re really working with density and the sound is really moving diagonals within the architectural situation so it s coming from behind me from the side from a bar for example so you really are within the sounds the sound is moving through you and beyond you and i think it s very fascinating to be compelling listening
Pieces but it is fascinating to have the audience within the sound itself so i would have several pieces surrounding the audience and so you very part of the physical listening and performance situation so that piece that we just heard yes was inspired by the famous final chapter of james joyce s ulysses the monologue of molly blum this very life affirming monologue tell us what s going on there in also in terms of this this spatial concept well have actually written 28 separate pieces of color according to a timeline so you ve got to about 20 different positions in space and you ve got musicians moving from one position to to another so you re really working with density and the sound is really moving diagonals within the architectural situation so it s coming from behind me from the side from above for example so you really are within the sounds the sound is moving through you and beyond you and i think it s very fascinating to be compelling this new situation i think when you can really follow how the sound is moving according to the architectural characteristics and amazingly despite this collage effect you give individual
Sabrina, i want to come to you. donald trump isn t saying anything new he hasn t said for six months. yet, that has been stunningly effective at attracting a majority not a majority but a ploor reality of the republican electorate. to you on this, the republican establishment has tried many things or many hopes and dreams to try to make him not be the front-runner. what happens if donald trump goes into the convention next year, next summer and he s got most evident diagonals but not enough to be the nominee. how does the party handle that? well, i still think that s an unlikely scenario. if it plays out that way, one of the problems facing the republican party is they really do not want to risk donald trump seeking a third party run. they don t want to risk a complete revolt on the part of donald trump supporters. so what it would take for them is to actually have other candidates coalesce around one
Wavelength, something we can t see anyway. you can t see the beams going around. right. but when they turn this machine on now, little copper wires going back and forth in diagonals, they can block the microwave signal from getting into the microwave sensor. okay. now, this is not visible. we can t even show you it disappearing because it doesn t really disappear unless you have microwave visibility. what s the point? it s the first step. you know, when they put the horse in front of the cart, then they put an engine in the cart and then they made a car. this is just getting the horse in front trying to get wavelengths to disappear. they re only working right now on microwaves, but they re going to get could it happen? could they get to the point i think so. i m thinking military will be in on that. you got that first one of course. and something if you have a microwave spectrometer and you re trying to look at something and you can make something be invisible, especially in a building or