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10 Actresses We Think Could Play Elena Fisher in the Uncharted Movie

10 Actresses We Think Could Play Elena Fisher in the Uncharted Movie
warpzoned.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from warpzoned.com Daily Mail and Mail on Sunday newspapers.

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A Brie Larson Blockbuster Is Finding New Life On Streaming

A Brie Larson Blockbuster Is Finding New Life On Streaming
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War of the Gargantuas


War of the Gargantuas
by Forest Taylor
Legendary Entertainment's so-called "Monsterverse" has been the strangest cinematic universe to date. After a somber and fairly serious beginning with Gareth Edwards' Godzilla, the series has followed Toho's lead and made every subsequent film increasingly dumber and sillier. This all culminates with Adam Wingard's (You're Next, The Guest) Godzilla vs. Kong, which might just be the dumbest and silliest one yet. The film is loud and obnoxious, the story is incomprehensible, and the action wears tiresome. However, there are some unexpected pleasures to be found in just how far it's willing to go with its ridiculous premise.

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Weekend Box Office: 'Demon Slayer' Nears $40 Million But 'Mortal Kombat' Tumbles


Weekend Box Office: ‘Demon Slayer’ Nears $40 Million But ‘Mortal Kombat’ Tumbles
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Funimation and Warner Bros.
In other domestic box office news that isn’t about
Wrath of Man ($8.1 million, or exactly what would be expected of a Jason Statham actioner under normal circumstances, Funimation’s export of
Demon Slayer The Movie: Mugen Train earned another $3 million (-54%) in weekend three. The R-rated, animated action fantasy, a direct continuation of a popular anime (think
Fight the Future debuting theatrically between season five and season six of
The X-Files) has earned $39.565 million in 17 days. That’s past the (unadjusted-for-inflation) $37 million domestic cume of Guillermo del Toro’s

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Friday Box Office: 'Godzilla Vs. Kong' Plunges 67% But Tops $60 Million


Friday Box Office: ‘Godzilla Vs. Kong’ Plunges 67% But Tops $60 Million
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Godzilla Vs. Kong held better on its second Friday than
Godzilla and
King of the Monsters.
Godzilla Vs. Kong earned an additional $3.88 million at the domestic box office, dropping 67% from its initial $11.6 million Friday gross. The size of the drop is partially due to last Friday being Good Friday, the Adam Wingard-directed MonsterVerse sequel also opened on a Wednesday. That said, the film still passed $60 million domestic yesterday, topping
Tenet ($58 million) and becoming the biggest Covid-era domestic earner. Of note, four out of the five top domestic grossers of this grim era (

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'Godzilla Vs. Kong' Resurrects Box Office With $49M Debut


‘Godzilla Vs. Kong’ Resurrects Box Office With $49M Debut
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Godzilla Vs. Kong should be past $300 million worldwide by Monday or Tuesday.
In an ironic/appropriate development, the domestic box office has roared back to life on Easter weekend thanks to the powerhouse (especially on a Covid-curve) debut of
Godzilla Vs. Kong. Warner Bros. and Legendary’s well-reviewed (79% fresh and 6.5/10 from
Rotten Tomatoes) and well-received (an A from Cinemascore including an A+ from those under 18) monster mash grossed $32.2 million over the Fri-Sun portion of what’ll turn out to be a $48.5 million Wed-Sun/$52 million Wed-Mon Easter weekend haul. That’s (by far) the biggest opening weekend for any movie in North America in the Covid era. With around $52 million domestic by tomorrow, it’ll quickly pass

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Godzilla Vs. Kong fans ask to #ContinueTheMonsterverse


Photo: Warner Bros. Pictures and Legendary Pictures
Zack Snyder fans successfully orchestrated a campaign to get Warner Bros.’ attention and convince the studio to release Zack Snyder’s director’s cut version of
Justice League—which turned into the extremely expensive and marginally improved
Zack Snyder’s Justice League—proving once and for all that if a fanbase is loud enough and pushy enough, they can make any ridiculous dream a reality (provided their dream coincides with a movie studio feeling an overwhelming sense of desperation over how much Content is available on its new streaming platform). The point is: They did it. It worked. They tweeted enough hashtags and got in enough people’s replies and made so much noise that Warner Bros. decided that it actually made sense to throw millions and millions of dollars at shutting them up (but in a nice way). Now… it’s happening again.

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Godzilla vs. Kong review: giant alpha-male roughhouse

Godzilla vs. Kong review: giant alpha-male roughhouse
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