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my first time in dublin [narrative] - Post-Magazine

my first time in dublin [narrative] - Post-Magazine
browndailyherald.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from browndailyherald.com Daily Mail and Mail on Sunday newspapers.

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Heaney remembered: Seamus Heaney - Reading the Future

Heaney remembered: Seamus Heaney - Reading the Future
rte.ie - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rte.ie Daily Mail and Mail on Sunday newspapers.

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Colson Whitehead's Ode to 1970s New York | The New Republic

In “Crook Manifesto,” everything is a racket—even history.

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How Ireland Took On the Church and Freed Its Soul

A nation learned to dodge God’s law in everything from biscuits to birth control, until religious doublethink became an agent of its own undoing.

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Rejoicing in MacLennan

Rejoicing in MacLennan
canlit.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from canlit.ca Daily Mail and Mail on Sunday newspapers.

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What is literature for?

What is literature for?
We should start owning our reading and asking more serious questions about what place literary education has in our collective life today.
People are reading more during the pandemic. But it is wrong to think we are reading simply to escape a grim reality. Reading is more radical than we give it credit for. It always has been. What we do with its power is another matter.
Everyone seems to agree that reading is good for us, but we no longer, if we ever did, agree why and to what end. As an academic subject, English literature has always imagined itself as being good for people. In the 19th century, the poet and impassioned inspector of schools Matthew Arnold was in no doubt about the civilising benefits of literary culture for the anarchic masses. Before English first became a degree subject in Cambridge in 1919, literature courses were developed in the colonies as a way of instilling a sense of Britishness within its subject populations. The postwar, Cambridge critic FR Leavis trained a generation of teachers committed to creating responsible readers for a new age of educational opportunity.

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How Adrienne Kennedy influenced generations of Black writers

It is an indictment of our theater that a playwright who has inspired artists across generations is so little known to the average theatergoer. Sadly, Adrienne Kennedy, the 89-year-old African American dramatic poet, whose 1964 play “Funnyhouse of a Negro” is a touchstone of 20th century American drama, is more revered than she is produced.
Her name provokes rapturous tributes from other writers. Branden Jacobs-Jenkins, one of the most talented dramatists to have emerged in the last 10 years, acknowledges the debt he and his contemporaries owe: “Every playwright writing today writes in Adrienne Kennedy’s shadow, full stop.” Years of teaching her plays has shown me how her work quickens the sensibilities of young artists.

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Orwell the Old Etonian | TheArticle

Eton (Shutterstock)
The basic facts about George Orwell’s years at Eton are well known. But we don’t precisely know which Etonian values he retained and what influence the school had on his later life. John le Carré wrote me (on September 27, 1998), “I taught at Eton. It always amused me that Blair-Orwell, who had been to Eton, always took great pains to disown the place.”
Responding to
Twentieth Century Authors, Orwell categorically declared: “I was educated at Eton, 1917-1921, as I had been lucky enough to win a scholarship, but I did no work there and learned very little, and I don’t feel that Eton has been much of a formative influence on my life.”

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