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Yesterday, WATSON, also known as Watson Turnipseed, shared the lead single "Dear Margot" ahead of his debut LP set to release on Feb. 14, 2023, along with
The Peacock Room at the Kimpton Hotel Fontenot has added some tasty cocktails to its menu, such as the Copper Canvas. The cocktail consists of Malfy blood
New Orleans Jazz Museum Announces Annual Improvisations Gala myneworleans.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from myneworleans.com Daily Mail and Mail on Sunday newspapers.
NEW ORLEANS (press release) – This summer, Peacock Room, the elegant and vibrant cocktail bar at the heart of Kimpton Hotel Fontenot, will continue to welcome
Peacock Room at Hotel Fontenot Welcomes Music Residencies: Jelani Bauman, Rachel Murray & Da Lovebirds myneworleans.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from myneworleans.com Daily Mail and Mail on Sunday newspapers.
Peacock Room Hosts Jazz Brunch Sunday, Plus Valentine's Day at Kimpton Hotel Fontenot myneworleans.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from myneworleans.com Daily Mail and Mail on Sunday newspapers.
Jesse McBride reflects on the closing of Prime Example Prime Example Jazz Club was one of the few remaining true contemporary jazz clubs in New Orleans. Its owner was pharmacist-turned-club-owner Julius Kimbrough, Sr., long a champion of New Orleans jazz artists. Kimbrough recently decided to close the bar and restaurant at 1909 N. Broad because of his age, and unfortunately, due to Covid-19. Pianist Jesse McBride was an acolyte and preserver of the work of the late, great saxophonist, composer, record label owner, performer, arranger, and educator extraordinaire Harold Battiste, Jr., who produced The Harold Battiste, Jr. Silverbook (an immaculately prepared and annotated collection of some of the best New Orleans’ compositions from the second half of the first century of jazz, plus biographies and numerous photographs, a listening and reading list, as well as insights on structure and intent of the compositions). Mr. Battiste’s vision for the book was that it be an important resource for the next generation of artists, and he named the band that served as a training ground for young musicians, whom he mentored, the “Next Generation” in tribute to Battiste’s vision. Here, McBride—jazz pianist, composer and educator—reminisces about another of New Orleans’ jazz icons that are passing into the “ain’t dere no more” zone.