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Review: A joyful return for La Jolla Music Society's SummerFest lajollalight.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from lajollalight.com Daily Mail and Mail on Sunday newspapers.
Review: For La Jolla Music Society's SummerFest, a joyful return sandiegouniontribune.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sandiegouniontribune.com Daily Mail and Mail on Sunday newspapers.
MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, July 19-26 musicalamerica.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from musicalamerica.com Daily Mail and Mail on Sunday newspapers.
Joshua Kosman February 3, 2021Updated: February 3, 2021, 7:50 pm S.F. Symphony violinist Yun Chu (left), violist Jonathan Vinocour and cellist Jill R. Brindel perform Freya Waley-Cohen’s “Conjure.” Photo: SF Symphony I can’t claim to understand for sure why Esa-Pekka Salonen and the San Francisco Symphony have titled the splendid inaugural concert program of their virtual spring season “Nostalgia.” It’s not a theme that seems to figure very prominently in any of the three chamber pieces in the lineup. So let’s assume that the nostalgia everyone is concerned with extends back just a year, which already seems like a lifetime. That’s when we used to gather freely, in shared physical spaces, and listen to music played by live performers without a screen between us.