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Kate Mosher Hall Through the Looking Glass

Kate Mosher Hall Through the Looking Glass
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New-york , United-states , California , Angeles-kate-mosher-hall , Kate-mosher-hall , Juliana-halpert , Paul-salveson , Salveson-kate-mosher-hall , Los-angeles , University-of-california , Hannah-hoffman , Mosher-hall

An Unlikely Art Show Pops Up in an LA Mausoleum

Dignity Plus, staged in an Altadena funeral home, addressed themes of mortality and memory while making use of improbable spaces for art.

Mountain-view , California , United-states , Artcenter-college-of-design , Hollywood , Mountain-view-mausoleum , Altadena , American , Kirk-cameron , Valantyn-koziak , Jasminne-morataya , Los-angeles

Words Nerds, Scenesters Keep It Lit

Words Nerds, Scenesters Keep It Lit
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Minnesota , United-states , Belgium , America , Belgian , Lisa-teasley , Juliana-halpert , Chris-kraus , Kennedy-wright , Jacob-gibson , Christina-catherine-martinez , Los-angeles

Reclaiming the monstrous kitsch of Dachau - Artforum International

At first glance, “Porzellan Manufaktur Allach,” Robert Russell’s current solo exhibition at Anat Egbi Gallery in Los Angeles (on through April 22), is a close study of cuteness. But after spending more time with his large, auratic paintings of porcelain animals—and learning their backstory—the glossy fawns, bunnies, lambs, and puppies reveal a dark underbelly. All of these objets d’art were made during the Nazi regime by forced laborers in the Dachau concentration camp. Heinrich Himmler, among the principal architects of the Holocaust, oversaw their production, calling porcelain “one of the few

Germany , Munich , Bayern , German , Porzellan-manufaktur-allach , Robert-russell , Los-angeles , Heinrich-himmler , Juliana-halpert , Nazi-party , Liegendes-reh , Manufaktur-allach

On eternity, internment, and the memory of touch - Artforum International

“Formations,” Kelly Akashi’s ongoing exhibition at the San Jose Museum of Art, surveys the past eight years of the Los Angeles–based artist’s practice, mounting a menagerie of bronze-cast, hand-blown glass, carved-stone, and 3-D–printed sculptures in addition to an array of chromogenic photograms, Cibachrome crystallographs, and silver gelatin prints (not to mention the occasional accoutrement of family heirlooms and human hair). Amid all this processual prowess, attention is also paid to the more mysterious operations of memory, time, the human body, and their mutual imprint on one another.

Arizona , United-states , Japan , Japanese , Americans , American , Benjamin-blackwell , Kelly-akashi , Los-angeles , David-horvitz , Juliana-halpert , San-jose-museum-of-art

Embroidering a monument to women's stories and sorrow

Growing up in Beirut during the Lebanese civil war, Mounira Al Solh witnessed firsthand the ways in which war and conflict upend all aspects of life and wrench a region’s sense of history from its own hands. For “A day is as long as a year,” on view from April 9 to October 2 at the BALTIC Centre for Contemporary Art in Gateshead, England, the Beirut and Netherlands–based artist invited over thirty women to plumb their own personal heritages in order to collaborate on a prismatic display of their own traditions and contemporary realities. History may be written by the victors, but its most powerful

Qajar , Zanjan , Iran , Beirut , Beyrouth , Lebanon , Afghanistan , Iraq , Netherlands , Israel , Morocco , Gateshead