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AMC Entertainment : Order Certifying Class and Approving Settlement

IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE





IN RE AMC ENTERTAINMENT HOLDINGS, INC. STOCKHOLDER LITIGATION
...
-Today at 12:55 pm- MarketScreener

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Dear AMC Stock Investors, Mark Your Calendars for Aug. 18

InvestorPlace - Stock Market News, Stock Advice & Trading Tips Source: Ian Dewar Photography / Shutterstock Shareholders of AMC Entertainment ...

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SUMMARY NOTICE OF PENDENCY OF STOCKHOLDER CLASS ACTION AND PROPOSED SETTLEMENT, SETTLEMENT HEARING, AND RIGHT TO APPEAR

/PRNewswire/ -- IN THE COURT OF CHANCERY OF THE STATE OF DELAWARE In re AMC Entertainment Holdings, Inc. Stockholder Litigation, Consolidated C.A. No....

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SUMMARY NOTICE OF PENDENCY OF STOCKHOLDER CLASS ACTION AND PROPOSED SETTLEMENT, SETTLEMENT HEARING, AND RIGHT TO APPEAR

SUMMARY NOTICE OF PENDENCY OF STOCKHOLDER CLASS ACTION AND PROPOSED SETTLEMENT, SETTLEMENT HEARING, AND RIGHT TO APPEAR
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Culture Summit Abu Dhabi announces participant and performer highlights

Culture Summit Abu Dhabi announces participant and performer highlights
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Women in Hollywood

to the women in film headquarters, where i'm joined by keri putnam and stephanie allain, two women who are working to reshape the industry. they are both part of an initiative founded and led by women in film and the sundance institute called reframe, whose aim is to advance gender equity. keri putnam is a film executive and producer and the founder of putnam pictures. she served for 11 years as the ceo of the sundance institute, which runs the sundance film festival. prior to that, she worked as a senior executive at miramax and hbo. she is also the cofounder of reframe. welcome. thank you, it's great to be here. stephanie allain is a film producer and writer and the newly elected co—president of the producers guild of america — the first woman of colour to hold the position. stephanie served nine years as vice president in women in film. she runs her own company, homegrown pictures, which focuses on creating content by and about women and people of colour. keri and stephanie, welcome to you both. happy to be here. now, keri, you were set on a korean theatre, but there was a plot twist when hollywood

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Women in Hollywood

i was like, "this is easy! "i could do this all day long!" having worked for the big studios, columbia, hbo, miramax, you both went independent. why was that important for you to do, keri? well, i'm late coming to being independent — i think stephanie has been a producerfor longer — but i felt it was my time to try something new and i also had never bet on myself and done something entrepreneurial, and ifelt i wanted to get closer to storytelling, i wanted to be setting my own terms, in a way, and using the experiences i had, so i was giving it a shot, ijust started, really. it's going to be amazing. is it frightening, stepping out on your own? it is, it is — but, again, you are caught by the community that you have come to know and you can reach out and call and get advice, and it is frightening, but it is also... exciting! ..it�*s a time in my life i think where, you know, it's ok to shake it up a little bit. stephanie, i know you went as far as selling your house

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Women in Hollywood

—— it is on hbo and it is sula, toni morrison's amazing novel, and it's going to be a limited series. we already have four of the eight scripts, they are beyond amazing and it's one of these projects that... i read that book in college, it is black women being whatever we want to be and that is what is so great about it, and it is going to frighten the hell out of people because it is wild. i don't have a project like that in my head right now that i feel like... yeah, i don't have a single project that is the one i've been waiting to see or waiting to make, but i think i'll know it when i see it and i am certainly out there looking. keri and stephanie, thank you both so much. thank you, it's been fun.

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