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Juxtapoz Magazine - Harvesters: Emily Mae Smith @ Perrotin Paris

Perrotin in Paris is concurrently running three strong presentations, one of them being the Parisian solo debut by the artist we've been closely follo...

Paris , France-general- , France , Emily-mae-smith , Disney-fantasia , Parisian , Emily-mae , Painting , Event , Perrotin ,

Danielle Orchard "At the Seams" Perrotin Seoul Show

Danielle Orchard’s “At the Seams” Is a Meditation on the Art Historical Gaze: A new solo exhibition on view at Perrotin Seoul.

Indiana , United-states , Seoul , Soult-ukpyolsi , South-korea , Brooklyn , John-berger , Tomi-ungerer , Danielle-orchard , Yellow-bathroom , Perrotin-seoul

Emily Mae Smith "Harvesters" Exhibition Perrotin

Emily Mae Smith Uses the Broom as Her Muse in New Exhibition: On view at Perrotin Paris until December 18.

Giza , Al-jizah , Egypt , Paris , France-general- , France , Emily-mae-smith , Perrotin-paris , Exhibitions , Perrotin ,

GaHee Park "Too Early After All" Perrotin Paris

GaHee Park's Hyper-Stylized Paintings Hit Perrotin Paris: A solo exhibition on view until September 30.

United-states , Paris , France-general- , France , South-korea , Belgium , French , South-korean , Belgian , Henri-rousseau , Pari-perrotin , Gahee-park

Juxtapoz Magazine - MADSAKI: Homecoming King

Subversive is a descriptive often overused in the art world, routinely referencing a brand of humor or political message, sometimes both, resulting in...

Japan , United-states , America , American , Hello-darkness , Old-friend , Perrotin-gallery , Features , Madsaki , Perrotin , Summer-2021

Josh Sperling "Paradise" Perrotin Shanghai

After launching
DONUT light sculptures with Case Studyo this past September, New York-based artist Josh Sperling unveiled new, sprawling sculptural pieces for his debut solo exhibition in Shanghai’s Perrotin gallery. Entitled “Paradise,” the presentation was the artist’s largest to date with numerous shaped canvasses on display. Drawing on the language of minimalist painting from the 1960s and 1970s, Sperling meticulously crafts plywood supports over canvas which is then stretched and painted in varying tones. With these works, the artist blends the mediums of painting and sculpture, introducing a dynamic visual language that is both expressive and energetic.
“Illusion is also very important to me: the underlying structure gives the illusion of something, it is mysterious… When the squiggles are skinnier they have one central layer, in the middle they have two and when they are very large they have three. That is a result of wanting to give the work an organic life-like feel, like the rings of a tree that grows with layers,” said Sperling in a statement.

China , Beijing , Dong-lu , Anhui , Shanghai , Huangpu , Guangdong , Huqiu-lu , Josh-sperling , Takashi-murakami , Perrotin-hong-kong ,