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James Quandt on Pasolini's Mamma Roma (1962) and the musca depicta

AN ODDITY IN THE OPENING CREDITS for Pier Paolo Pasolini’s Mamma Roma (1962) has gone largely unremarked, probably because it is so cursory. A minute or so into the credit sequence, which is accompanied by the stately largo from Vivaldi’s Concerto for Viola d’Amore and Lute in D Minor, a fly suddenly enters at the lower right-hand side of the frame, meanders a bit before pausing on the name of an actor (Giulio de Stephanis) as if to inspect it, and then skitters off as quickly as it had emerged, its time on-screen totaling three seconds. Was the intrusion of the insect an accident—most likely—or, given Pasolini’s radical ways, an intentional aberration? I conferred with the Pasolini archives in Bologna, Italy, which found no reference regarding this strange anomaly, so one must assume that the fly’s brief invasion of the image either went unnoticed by the director or that, once detected, the insect was permitted its guest appearance, for reasons other than the merely pragmatic.

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Terrifying Amityville Horror is back to haunt your dreams

Before there was Haunted, before the Enfield poltergeist, there was The Amityville Horror - bigger than Jaws and almost as scary. I can still see…

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"Simone Leigh" at the Hirshhorn in D.C. is exquisite

The Hirshhorn presents work from Simone Leigh's acclaimed Venice Biennale installation. Plus, Aubrey Plaza takes the stage off-Broadway, in our arts newsletter

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Must See Artworks at the Uffizi Gallery in Florence, Italy – ARTnews.com

Here's our guide to some of the many masterpieces on view at the fabled Uffizi Gallery museum in Florence, Italy.

Empoli , Toscana , Italy , London , City-of , United-kingdom , Rome , Lazio , Austria , Switzerland , France , Cyprus

bwog.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bwog.com Daily Mail and Mail on Sunday newspapers.

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Ruth Leon recommends… The Medici Portraits and Politics 1512-1570 – Met Museum

The Medici Portraits and Politics 1512-1570 – Met Museum

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Florence: from the Duomo to the Uffizi, what to see

From the Loggia dei Lanzi to Giotto's Campanile, from the Uffizi to the Galileo Museum, all the best things to visit in Florence. And information for enjoying the city

La-maddalena , Sardegna , Italy , Livorno , Toscana , Egypt , Milan , Lombardia , San-miniato , Certosa , Piemonte , Netherlands

The Basics of Art History | Andre Pijet

Short cut through the most important facts in History of Art.

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'When we rotated it 90 degrees it was obvious': mystery sketch is rare Michelangelo draft for Sistine Chapel | Painting

Image of man battling serpents is confirmed as preparation for renaissance artist’s masterpiece

Italy , Cambridge , Cambridgeshire , United-kingdom , London , City-of , Italian , Rosso-fiorentino , Georgio-vasari , John-charles-robinson , Paul-joannides , Courtauld-institute-of-art

Mannerism | Definition, Characteristics, Art, & Facts

Mannerism, Italian Manierismo, (from maniera, “manner,” or “style”), artistic style that predominated in Italy from the end of the High Renaissance in the 1520s to the beginnings of the Baroque style around 1590. The Mannerist style originated in Florence and Rome and spread to northern Italy and, ultimately, to much of central and northern Europe. The term was first used around the end of the 18th century by the Italian archaeologist Luigi Lanzi to define 16th-century artists who were the followers of major Renaissance masters. Mannerism originated as a reaction to the harmonious classicism and the idealized naturalism of High

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