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(The article continues below - Commercial information) Cineuropa: Was this a challenging film to finance and get into production? Silvan Zürcher: Because it was our first project outside of an academy [film school], weâre not so good at talking about whatâs normal and whatâs not, because itâs our first time in this field. We first tried to get the film financed in Germany; it was pretty difficult because the logic in Germany is such that the TV channels are important for others to then jump on board to finance it as well. We then tried our best in Switzerland, where itâs more liberal in the way they finance a movie â for instance, itâs not so crucial to first have a TV channel on board, and then the rest. There are also other paths that one can follow, so in Switzerland we got lucky with this production company, Beauvoir Films, and
André M. Hennicke) and his younger assistant Jan ( Flurin Giger) are making their presence noisily known, and their romantic interests too. Meanwhile, an older downstairs neighbour Kerstin ( Dagna Litzenberger Vinet) forms an unlikely love triangle with Jan and Mara. There’s a growing form of experimental filmmaking called the ‘desktop documentary’, depicting the sometimes detail-ridden screens of our computers and phones. The opening shot is just that: an architect’s floor plan of the apartment, with a cursor hovering across the diagram’s parallel lines. Apt for a work that features an extended, surreal dialogue riff on ‘.pdf’ file formats,