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Michelle Roverelli appointed Director of Member Relations and Communications at EBU

A highly experienced executive, Michelle brings to the role a deep knowledge and wide experience of the EBU and how it operates, as well as the needs of its Members.

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EBU promotes Michelle Roverelli

The EBU has announced the appointment of Michelle Roverelli as the new director of member relations and communications. She will take up her new position in September 2023, building on the work and contribution of the current director, Vanessa O’Connor, who will be leaving the EBU. Currently head of communications, marketing and events at the…

Brussels , Bruxelles-capitale , Belgium , Vanessa-oconnor , Michelle-roverelli , Noel-curran , Vanessao-connor , Member-voice ,

How infant formula makers are saturating mothers' social media

By Richa Naidu LONDON (Reuters) - Stephanie Labarta, 31, was six months pregnant when she first noticed the occasional infant formula ad on Instagram ...

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'The Reckoning': Review: Neil Marshall Returns to Traditional Horror With Routine Tale of Witch-Hunting

'The Reckoning': Review: Neil Marshall Returns to Traditional Horror With Routine Tale of Witch-Hunting
The film's punchy visuals are undercut by a meandering story that strains credibility.
Richard Kuipers, provided by
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Director: Neil Marshall
With: Charlotte Kirk, Sean Pertwee, Steven Waddington, Joe Anderson, Suzanna Magowan, Sarah Lambie, Ian Whyte, Callum Goulden, Leon Ockenden, Emma Campbell Jones, Mark Ryan, Bill Fellows, Oliver Trevena.
Running time: Running time: 111 MIN.
Courtesy of RLJE Films
Following the misfire of 2019’s “Hellboy” reboot, “The Descent” director Neil Marshall returns to his traditional horror roots with “The Reckoning,” an uneven melodrama about an innocent young widow accused of witchcraft during the Great Plague of London, 1665. Striving to be a rousing tale of female empowerment in the face of brutal patriarchy and religious extremism, “The Reckoning” has some powerful moments but relies too heavily on fantasy sequences to deliver scares, and its credibility is significantly compromised by the heroine consistently emerging from extreme torture sessions with barely a hair out of place or a smudge on her makeup. Dedicated horror hounds will be the main takers when this well-produced item hits U.S. theaters and VOD on February 5.

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